神遊的樂園－李立仁創作論述
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2017
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文明的發展演進曾數度影響了我們對於空間觀感的體驗認知，人類從原始荒野間一路摸索至今這個規模龐大的現代化都市，置身其中的我們時時刻刻都能體會到科技進步所帶來的便利成就，卻也難免體認到人類和自然之間日漸拉開的距離，面對這份油然而生的失落，現代人將憑藉各種方法來喚回這份對於母體自然的鄉愁。
筆者藉由藝術創作來回應這份源於生命本能的感知，透過觀察生活周遭的客觀現實對照心靈世界，將自然跟文明在當代環境下的種種矛盾情結作為隱喻，來演繹自己和環境之間的關係。在面對城市生活中無可避免的緊迫壓力，循著精神上的逃逸狀態擺脫現實的框架，企圖從僵化、焦慮的生命情境中逃向另一片自由的烏托邦樂土，進而成為創作中的核心理念。
《神遊的樂園》描述了一個架構於現實空間之上的虛擬幻境，並透過混入異種的方式讓城市景觀從現實秩序中脫離，使地方成為一個更加曖昧浮動的空間，以此作為樂園概念的轉換符碼。同時揉合了詼諧諷刺的愉悅想像，讓天真爛漫的動物主宰其中，企圖在現實意義中翻轉出另一套價值系統，發展成類似寓言性質的繪畫作品，也可視為創作中靈視的具體展現。最終，藉由文獻的參閱探討以及對自我意識的體悟，在研究中逐步形塑出一個完整的樂園輪廓，讓筆者在藝術創作的領域中，以一種夢幻、易碎的浪漫去實踐這座遺失在現實與幻想交界的荒誕樂園。
The development and evolution of civilization have affected our experience and cognition for spatial perception for several times. Human beings have groped all the way from original wilderness to current modernized world with large metropolises. Living in such a world, we can always experience convenient achievements brought by scientific and technological progresses. Nonetheless, one will also realize the distance gradually developed between human beings and the nature. In the face of the upset feeling that arises spontaneously, modern people will employ various methods to recall the nostalgia for nature, the parent body. The author utilizes artistic creations to respond to the perception that stems from life instinct. By observing objective realities around life and comparing them with the spirit world, the author takes various contradictory plots between the nature and civilization under the contemporary environment as metaphors to deduce the relation between the author and the environment. In the face of inevitable pressing stresses in city life, the author gets rid of the frame of reality by following the escaping state of spirit. And then, the attempt that escaping from a rigid and anxious life context to another free paradise of Utopia becomes the core idea of creations. Wanderland describes a fictitious fairyland based on the real space and mixes in heterogeneous methods to enable urban landscapes to be separated from the realistic order. The place consequently is turned into a vague space and serves as the swift code of the concept of paradise. Meanwhile, Wanderland blends humorous, ironic and pleasant images to make naive animals become the master. Wanderland attempts to work out another value system out of practical significance to develop a paint work with allegoric features. It could also be regarded as a specific embodiment of vision in creations. Finally, in virtue of references and discussions of literature and comprehension of self-conscious, the author gradually shapes a complete frame of a fairyland in the research which facilitates the author to fulfill the fantastic fairyland lost in the border between reality and fantasy, with a dreamlike and vulnerable romance, in the field of artistic creation.
The development and evolution of civilization have affected our experience and cognition for spatial perception for several times. Human beings have groped all the way from original wilderness to current modernized world with large metropolises. Living in such a world, we can always experience convenient achievements brought by scientific and technological progresses. Nonetheless, one will also realize the distance gradually developed between human beings and the nature. In the face of the upset feeling that arises spontaneously, modern people will employ various methods to recall the nostalgia for nature, the parent body. The author utilizes artistic creations to respond to the perception that stems from life instinct. By observing objective realities around life and comparing them with the spirit world, the author takes various contradictory plots between the nature and civilization under the contemporary environment as metaphors to deduce the relation between the author and the environment. In the face of inevitable pressing stresses in city life, the author gets rid of the frame of reality by following the escaping state of spirit. And then, the attempt that escaping from a rigid and anxious life context to another free paradise of Utopia becomes the core idea of creations. Wanderland describes a fictitious fairyland based on the real space and mixes in heterogeneous methods to enable urban landscapes to be separated from the realistic order. The place consequently is turned into a vague space and serves as the swift code of the concept of paradise. Meanwhile, Wanderland blends humorous, ironic and pleasant images to make naive animals become the master. Wanderland attempts to work out another value system out of practical significance to develop a paint work with allegoric features. It could also be regarded as a specific embodiment of vision in creations. Finally, in virtue of references and discussions of literature and comprehension of self-conscious, the author gradually shapes a complete frame of a fairyland in the research which facilitates the author to fulfill the fantastic fairyland lost in the border between reality and fantasy, with a dreamlike and vulnerable romance, in the field of artistic creation.
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Keywords
樂園, 神遊, 流浪癖, 遺跡, Fairyland, wandering, wanderlust, relic