觀境.鏡反:陳世忠現代水墨創作探討

dc.contributor李振明zh_TW
dc.contributorLee,Cheng-Mingen_US
dc.contributor.author陳世忠zh_TW
dc.contributor.authorChen,Shih-Chongen_US
dc.date.accessioned2020-12-10T04:30:46Z
dc.date.available2011-2-23
dc.date.available2020-12-10T04:30:46Z
dc.date.issued2011
dc.description.abstract本論文為筆者的現代水墨創作論述,以「數位水墨」與「水墨裝置」為表現範疇,展開「內容」與「形式」的探索與實驗,做為本文的研究主軸。 首先,從生活場域觀想,討論無常性的意涵,進而談到東西方對於生態關懷的看法。 其次,以系譜建構的方式,探討數位水墨的表現及現況,並敘述光柵的原理及表現特色。 第三,探討裝置藝術的源流與特色,並論及水墨裝置的表現及現況。 第四,為筆者的創作說明,在作品中分別論述數位水墨及水墨裝置的創作理念與心得。數位水墨部份,筆者嘗試實驗各種自動性技法,再將產生的圖像輸入電腦中,進行影像處理,將兩張圖片處理成具有關聯性和意義性的圖像,最後再以數位光柵輸出呈現作品,此列系作品大多以表現禪意與無常為主題。水墨裝置部份,以環境現象為省思,並運用現成物為材料,表現水墨趣味。 最後在結論中,闡述筆者的研究結果及未來展望。zh_TW
dc.description.abstractThis dissertation is a theoretical description of the author’s own contemporary ink and wash works. The primary research core of this dissertation is to process exploration and experimentation of “content” and “style” with manifesting categories of “digital ink and wash” and “ink and wash devises.” In the beginning section, it discusses the meaning of uncertainty from thoughts of life circumstances to the concepts of the East and the West about ecology care. In the second section, it refers the expression of the digital ink and wash and its current circumstance, and describing the diffraction grating principle and its characteristics of representation through the strategy of genealogy construction. In the third section, it regards the origins and the characteristics of the installation, and considering the performances of the digital devises and its current circumstances. The last section to the conclusion is the work notes section which regarding the concepts and the reflection upon the author’s own works of “digital ink and wash” and “ink and wash devises.” In the category of the digital wash and ink, the author tried various automatic strategies to generate images, and importing these images to a computer to do the retouch so that two different images could both be made meaningfully and related to each other. Finally, the images will be exported as the final product through the strategy of the diffraction grating principle. The works in this series are mostly with themes of expressing “Zen” or “uncertainty.” In the category of ink and wash devises, the concept is to utilize ready-made products to express the pleasant of ink and wash as the reflection on the environmental circumstances. The final result of the research and the wish to the future were addressed in the conclusion section.en_US
dc.description.sponsorship美術學系zh_TW
dc.identifierGN0597603110
dc.identifier.urihttp://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22GN0597603110%22.&
dc.identifier.urihttp://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/115169
dc.language中文
dc.subject現代水墨zh_TW
dc.subject無常zh_TW
dc.subject生態關懷zh_TW
dc.subjectmodern ink paintingen_US
dc.subjectuncertaintyen_US
dc.subjectecology careen_US
dc.title觀境.鏡反:陳世忠現代水墨創作探討zh_TW
dc.titleThe Mirror of Mind and Times—in the creation of ink paintingen_US

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