數位影像及裝置上的表現研究： 以都市人為例
Abstract
本研究的第一部份是以研究當今流行的數位藝術與裝置藝術發展起源與歷史軌跡，並分析具都會意象的數位、裝置藝術家與作品表現概念與方法，作為研究創作的依據。隨著現今科技媒材的持續發展、推陳出新，電腦所帶來的全新數位體驗，讓人們在視覺表現上，有了不同以往的呈現手法。電腦影像科技的進步，諸如：Adobe Photoshop、數位相機…等新媒材的問世，更改變了現在藝術家的創作手法。
本研究第二部份的創作方法是以影像合成及裝置手法為出發點，針對理念、精神，造形以及實際手法進行探討與分析，從數位藝術在當代的起源及裝置進行解讀和評估，再加以分類，作為創作的參考，最後將分析和歸納後的心得，運用於個人創作，以求理論與實務的均衡發展。
二十一世紀的世界，因為工業革命以來快速的科技發展，而有了前所未有的進步與繁榮，然而，都會中的人與人之間的關係也如同科技發展一般而變得冰冷與疏離，本論文藉以研究表現相關都會藝術家的同時，探討影響都市人生活的切身議題，由外的「環境」至而內的「閱讀」與「記憶」。
This study consists of two parts. As a basis for this creative research, the first part of the study looks at the origin and history of digital and installation arts that are prevalent nowadays. I examine the urban creative artists as well as the concepts and methods behind their work. With the constant development and introduction of new media technology, the computer digital experience has showcased visual arts in ways that are completely different from the past. The birth of advanced science and technology gadgets, i.e. Adobe Photoshop, digital cameras… etc., have changed how creative artists work. Taking image synthesis and installations as the starting point for the second part of this study, I then explore and analyze the concept, the spirit, the form, as well as the practical approach behind digital arts. From the birth of digital arts in the contemporary era to the evaluation and interpretation of installations – the findings are then categorized and utilized as a reference for future creations. Finally, I apply the compiled knowledge to personal practices in order to achieve a balanced development between theory and practice. The industrial revolution and the rapid progresses of science and technology in the 21st century have generated unprecedented progress and prosperity. At the same time, however, as science and technology advances, the relationship between city - dwellers has become alienated and distant. Via examining urban artists and their work, this paper explores the vital issues and elements that impact urban life - a journey from external ‘environment’ to internal ‘reading’ and ‘memory’.
This study consists of two parts. As a basis for this creative research, the first part of the study looks at the origin and history of digital and installation arts that are prevalent nowadays. I examine the urban creative artists as well as the concepts and methods behind their work. With the constant development and introduction of new media technology, the computer digital experience has showcased visual arts in ways that are completely different from the past. The birth of advanced science and technology gadgets, i.e. Adobe Photoshop, digital cameras… etc., have changed how creative artists work. Taking image synthesis and installations as the starting point for the second part of this study, I then explore and analyze the concept, the spirit, the form, as well as the practical approach behind digital arts. From the birth of digital arts in the contemporary era to the evaluation and interpretation of installations – the findings are then categorized and utilized as a reference for future creations. Finally, I apply the compiled knowledge to personal practices in order to achieve a balanced development between theory and practice. The industrial revolution and the rapid progresses of science and technology in the 21st century have generated unprecedented progress and prosperity. At the same time, however, as science and technology advances, the relationship between city - dwellers has become alienated and distant. Via examining urban artists and their work, this paper explores the vital issues and elements that impact urban life - a journey from external ‘environment’ to internal ‘reading’ and ‘memory’.
Description
Keywords
數位影像, 裝置藝術, Digital Image, Installation