平義久弦樂三重奏《折射》分析研究與自我音樂創作之應用

Abstract

本文以法國當代作曲家平義久的弦樂三重奏作品《折射》為主題，輔以其他代表作品，探究並分析其音樂語言，進而將探究所得，體現於自我創作理念中。 平義久為旅法日籍作曲家，師承若利維與杜悌尤。其創作手法結合自身國家之傳統文化音樂語彙與法國近代音樂的寫作風格。從諸多作品中，可檢視出平義久受到異文化的洗禮，擅長將傳統解放再重新組合，衍生出個人獨到之音樂風格。 本文主要透過平義久的重要代表作品，如《神聖之音系列四─為長笛獨奏》，從中觀察其音樂風格何以受恩師─若利維影響，並彙整出其慣用創作手法，進而探究弦樂三重奏《折射》之音樂內涵，藉此驗證「寂靜」、「留白」在平義久音樂中的運用方式與代表意涵。筆者希冀透過此研究，拓展更多自我創作的可能性。This study is to review and analyze the French contemporary composer- Taïra Yoshihisa’s work for string trio- Diopatase, along with his other works. By analysis of Taïra’s unique content of the works and the music language, this study is aiming at discovering his composing method as an indication of future composition. Taïra is a Japanese composer who settled in Paris and have been a pupil of André Jolivet and Henri Dutilleux. This background influences Taïra’s music significantly and contributes to his unique cross-culture music style. This study will provide reviews of Taïra’s works as evidence of the combinative style of Japanese traditional music and contemporary French music. Furthermore, this study will also analyze Taïra’s methodology of music creation: restructure tradition, and add in contemporary music to derive a new “musical language”, which eventually becomes his unique character. This research will discover the pattern of Taïra’s musical language and creation by examining the method of composition of string trio- Diopatase. Furthermore, the study will also verify two unique characters of Taïra’s music: “Silence” and “Blank” by reviewing Dioptase and most of Taïra’s works. By review and analysis of Taïra’s music, the ultimate goal of the study is to provide a direction of composition and inspire author’s creation.