唐代仕女畫轉化應用於首飾品牌設計之創作研究
| dc.contributor | 王千睿 | zh_TW |
| dc.contributor | Wang, Chien-Jui | en_US |
| dc.contributor.author | 蔡念庭 | zh_TW |
| dc.contributor.author | Tsai, Nien-Ting | en_US |
| dc.date.accessioned | 2022-06-08T03:02:50Z | |
| dc.date.available | 2024-02-29 | |
| dc.date.available | 2022-06-08T03:02:50Z | |
| dc.date.issued | 2022 | |
| dc.description.abstract | 唐代仕女畫具有其獨特的文化氣質。本研究以唐代仕女畫的代表性作品為研究標的，採用文獻資料分析、個案調查以及半結構式訪談等研究方法，從不同角度進行研究解析，並依據研究結果歸納出設計導向。結合唐代仕女畫分析及借鏡相關設計個案等研究結果，導出以下要點：著重線性造型的表現力；以平面性層次與留白作為設計細節；紋樣以品牌識別應用為主；以紅色、棕色為主要色調；簡約外觀與精緻細節的平衡展現東方文化的鬧與靜，並以此為基礎進行創作實證。藉由以「故花今心」首飾自創品牌作為創作對象，將唐代仕女畫元素應用於包含品牌核心理念與識別系統規範在內的品牌創作，以及三組系列首飾作品。依據實證結果，本研究針對東方古典文化運用於現代設計方面提出了三個觀點，即：不追求複刻古典，而是尋求融合、創新和突破；古典元素透過結合現代設計展現新風貌；運用設計表現手法傳承文化基因。就唐代仕女畫在品牌設計中的應用而言，本研究肯定了古典繪畫可以為品牌設計提供一致性且具文化厚度的根基，惟須注意繪畫本身的意象所帶來的侷限性。首飾創作方面，則應注意媒材本身的限制，且在建立與繪畫之間直觀的連結性會是一個較大的挑戰，關鍵元素的使用將變得尤為重要。本研究驗證了將唐代仕女畫以現代設計手法重新詮釋的可能性。運用解析與重塑的過程，揉合古典和當代美學，將有可能使設計更具有文化厚度。 | zh_TW |
| dc.description.abstract | This study uses representative works of Tang Dynasty beauty paintings as the research object, employing documentary analysis, case studies, and semi-structured interviews. The findings are summarized as follows: the expressiveness of linear forms; white space in design details; the use of red and brown as primary colors; and the balance between simple appearance and delicate details to create an oriental cultural atmosphere. By creating an own accessory brand, elements of Tang Dynasty beauty paintings were applied to the brand's core concept and identity system, as well as to the three accessory collections. In summary, this study illustrates the application of classical oriental culture in modern design from three aspects, namely: not copying the classics, but integrating, innovating and breaking through; combining classical elements with modern design to present a new look; and using design expressions to pass on cultural genes. In terms of the application of Tang Dynasty beauty paintings in brand design, this study affirms that classical paintings can provide a consistent and culturally rich basis for brand design, but attention must be paid to the limitations imposed by the imagery of the paintings themselves. In addition, in accessory design, attention must be paid to the limitations of the materials themselves; creating an intuitive connection with the painting is a greater challenge, and the use of key elements is particularly important. This study validates the possibility of reinterpreting Tang Dynasty beauty paintings using contemporary design methods. Combining classical and contemporary aesthetics will have the potential to make the design more culturally relevant. | en_US |
| dc.description.sponsorship | 設計學系 | zh_TW |
| dc.identifier | 60868001T-40986 | |
| dc.identifier.uri | https://etds.lib.ntnu.edu.tw/thesis/detail/bb29812880ba033fa3cb22c742f0989c/ | |
| dc.identifier.uri | http://rportal.lib.ntnu.edu.tw/handle/20.500.12235/118421 | |
| dc.language | 中文 | |
| dc.subject | 文化品牌 | zh_TW |
| dc.subject | 古典藝術 | zh_TW |
| dc.subject | 首飾創作 | zh_TW |
| dc.subject | 藝術應用 | zh_TW |
| dc.subject | accessories design | en_US |
| dc.subject | art application | en_US |
| dc.subject | cultural branding | en_US |
| dc.subject | cultural design | en_US |
| dc.title | 唐代仕女畫轉化應用於首飾品牌設計之創作研究 | zh_TW |
| dc.title | The Application of Tang Dynasty Beauty Paintings to Accessories Branding and Design | en_US |
| dc.type | 學術論文 |