魚悅-戴美玲彩墨創作論述
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2019
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本研究主要是探討魚在當代藝術中，使用野獸派與表現主義為主題的創作藝術，就二十世紀西方的繪畫藝術，大部分都是用傳承的方式；直到每個畫派的興起，才呈現不同的主觀特質。
而這些畫家們也在各派別中，反應內心真實的意識，並以色彩的表現方式和技巧外。還有繪畫意識上的形態。在現代藝術中，野獸派大膽的使用色彩，與表現主義使用明亮與黑暗的對比色、粗線條的筆觸，在陰影處直接用暗色系表現，大膽的用色以表現內心的情感。
首先在探討繪畫作品中，畫家們除了繪畫創作以外，更需實際體驗內心的感受，去表達或突顯創作特色，並與色彩之間有相互呼應的效應。藝術家的作品及理論思維，讓筆者重新調整創作上的思考模式，除了透過色彩表達和諧與衝突的特質，使得繪畫形態不斷的改造和創新。也讓畫面空間跟色調有不同的表現力。
在緒論中闡述研究動與目的、研究內容與範圍，和研究與創作動機，並針對重要名詞解釋加以定義。第二章為論文的主要部分，從文獻探討與現代藝術詮釋，與野獸派狂野色彩論述和表現主義論述及山海經論述，最後為藝術實踐創作表現。
第三章為主題創作內容與創作技法及創作媒材。筆者欲利用自己的創作，刻劃內心的情感，提升個人的創作意念，並將焦點放在內涵與形態及畫面的構圖，來表現創作的步驟與使用媒材的方法，筆者在實際操作的過程中，透過水墨及各種媒材，並嘗試各種方法使畫面有更飽滿的層次與質感，在經由文獻資料之研究，學習運用。第四章創作作品解析，明確的說明了創作理念及象徵意義、構圖、媒材以及使用技法。第五章為結論的部分，透過自己的創作，以魚作為創作題材，用不同的水墨技巧表現方式，期望自己加入新原素、新媒材，呈現出不同於以往作品，在創作上有所突破，創造自我風格的獨特性。
The study discusses fish in modern art, using the technique of Fauvism and expressionism as the theme. Most of techniques in western painting inherited their own way during the 20th. Until various schools appeared, the painting started to present different subjective features. These group of artists show their inner real consciousness with a different school and express their expressions and skills in colour and form, as well as the expression of painting form. In modern art, the Fauvism boldly uses colour; expressionism uses bright and dark contrasting colours with thick lines of brushstrokes and shows the shadows directly with dark colours and uses bold colours to express the inner feelings. In the exploration of paintings, other than painting skills, the artists need to actually experience the inner feelings to express or highlight the creative features, as well as to have a mutual effect with the colours. The artist's works and theoretical thinking allow the author to re-adjust the mode of thinking about creating. In addition to the express with colours or the features of harmony and conflict, the author makes the painting form constantly reform and innovation which also makes spaces in the picture and the hue have different expressiveness. In the introduction, which elaborates the motivation, purpose, the scope and method of the research, and defined the certain important terms. The second chapter is the core of the thesis. Through the literature review, the author discusses the Fauvism’s wild colour and expressionism in modern art, and finally the performance of the artistic practice. The third chapter is about the creation content, techniques, materials. Using the writer’s own creation, inner feelings to enhance her personal creative ideas, as well as focusing on the composition to express the steps and method of the artworks. By studying the literature, applying ink and various media with diverse methods to make the artworks full of layers and texture. The fourth chapter analyzed the creative works, also clearly explained the concept and symbolic meaning, composition, materials and techniques. Fish-themed works with diverse methods summarized in fifth chapter. Writer expects to make breakthroughs in her creation, with adding new elements and materials, presenting different works to create the uniqueness of own style.
The study discusses fish in modern art, using the technique of Fauvism and expressionism as the theme. Most of techniques in western painting inherited their own way during the 20th. Until various schools appeared, the painting started to present different subjective features. These group of artists show their inner real consciousness with a different school and express their expressions and skills in colour and form, as well as the expression of painting form. In modern art, the Fauvism boldly uses colour; expressionism uses bright and dark contrasting colours with thick lines of brushstrokes and shows the shadows directly with dark colours and uses bold colours to express the inner feelings. In the exploration of paintings, other than painting skills, the artists need to actually experience the inner feelings to express or highlight the creative features, as well as to have a mutual effect with the colours. The artist's works and theoretical thinking allow the author to re-adjust the mode of thinking about creating. In addition to the express with colours or the features of harmony and conflict, the author makes the painting form constantly reform and innovation which also makes spaces in the picture and the hue have different expressiveness. In the introduction, which elaborates the motivation, purpose, the scope and method of the research, and defined the certain important terms. The second chapter is the core of the thesis. Through the literature review, the author discusses the Fauvism’s wild colour and expressionism in modern art, and finally the performance of the artistic practice. The third chapter is about the creation content, techniques, materials. Using the writer’s own creation, inner feelings to enhance her personal creative ideas, as well as focusing on the composition to express the steps and method of the artworks. By studying the literature, applying ink and various media with diverse methods to make the artworks full of layers and texture. The fourth chapter analyzed the creative works, also clearly explained the concept and symbolic meaning, composition, materials and techniques. Fish-themed works with diverse methods summarized in fifth chapter. Writer expects to make breakthroughs in her creation, with adding new elements and materials, presenting different works to create the uniqueness of own style.
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Keywords
野獸派, 表現主義, 魚悅, 水墨創作, 山海經, Fauvism, Expressionism, Fishappyness, Ink creation, Shan Hai Jing