以完形心理學理論運用於臉部表情之創作研究
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Date
2017
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Abstract
隨著網路的無遠弗界,視覺性的語彙、圖案以及符號,成為全球性的溝通橋樑,它不受語言、種族、文化以及地域的限制,尤其在年輕人之間透過各種數位載體迅速交換視覺性的訊息。正如加拿大著名教育家、傳播理論家馬歇爾•麥克盧安所言:「現代社會已由文字文化轉換為圖形文化,我們已經進入了一個讀圖時代」。完形心理學是以視覺心理為理論基礎的設計基本原理,圖形的知覺會受人們過去經驗的影響,往往新的意象會被過去的記憶痕跡所影響,透過完形心理學中的「相似性」、「接近性」、「封閉性」與「連續性」等完形律分析研究臉部五官的辨識性。以5cm × 5cm的正方形力脊線視覺場放置4個黑色圓點,藉由位置差異得到50種不同的圖形。從500份問卷調查結果獲得14種具有臉部圖形。每個圖形如同一張可辨識的面貌,透過中文、日文與韓文,結合年輕人的流行語彙並透過拆解文字的結構,從筆劃與位置的設計應用在所得之14種臉部圖形,使之呈現具有表情的五官。如同其他視覺性的語彙、圖案和符號,本研究透過短袖服裝的印製作為溝通載體,讓人們穿著這些以文字作為臉部表情的衣服設計,得以最大化的視覺趣味以達到完形心理學的理論應用。
With the development of internet, the visual vocabularies, patterns, and symbols have become a communicated bridge of globalization , they are not affected by language, nation, culture and geographical restrictions. These visual vocabularies, patterns, and symbols could exchange visual message rapidly through a variety of digital carrier especially among young people. As a famous Canadian educator and media theorist, Marshall Mike, said ‘The modern society culture has transformed from literal culture into graphic culture, and we have entered an era of reading pictures’. The visual psychology is the theoretical foundation and design principle of Gestalt Psychology, the perception of Graphical can be affected by past experience. And the new images also can be affected by past memory traces, according to the Theory of Gestalt Law in Gestalt Psychology such as ‘Similarity’, ‘Proximity’, ‘Closure’ and ‘Continuity’, these theory can be utilized to analyzing the facial identification. For example, placing four black dots in a perceptional field at five centimeters by five centimeters, there are fifty different shapes due to the difference position of the four black spots, then, according to fourteen facial features were obtained by analyzing five hundred questionnaires and analyzing the Chinese, Japanese and Korean, the popular vocabulary of young people, text structure, and the design of stroke and position. Each figure as a recognizable face can be rendered expressive features. Similar to other visual vocabularies, patterns and symbols, through the printing of short sleeve clothing as communication carrier, this thesis aim to let people wearing these clothes design facial expressions to maximize visual appeal and apply Gestalt Psychology.
With the development of internet, the visual vocabularies, patterns, and symbols have become a communicated bridge of globalization , they are not affected by language, nation, culture and geographical restrictions. These visual vocabularies, patterns, and symbols could exchange visual message rapidly through a variety of digital carrier especially among young people. As a famous Canadian educator and media theorist, Marshall Mike, said ‘The modern society culture has transformed from literal culture into graphic culture, and we have entered an era of reading pictures’. The visual psychology is the theoretical foundation and design principle of Gestalt Psychology, the perception of Graphical can be affected by past experience. And the new images also can be affected by past memory traces, according to the Theory of Gestalt Law in Gestalt Psychology such as ‘Similarity’, ‘Proximity’, ‘Closure’ and ‘Continuity’, these theory can be utilized to analyzing the facial identification. For example, placing four black dots in a perceptional field at five centimeters by five centimeters, there are fifty different shapes due to the difference position of the four black spots, then, according to fourteen facial features were obtained by analyzing five hundred questionnaires and analyzing the Chinese, Japanese and Korean, the popular vocabulary of young people, text structure, and the design of stroke and position. Each figure as a recognizable face can be rendered expressive features. Similar to other visual vocabularies, patterns and symbols, through the printing of short sleeve clothing as communication carrier, this thesis aim to let people wearing these clothes design facial expressions to maximize visual appeal and apply Gestalt Psychology.
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Keywords
完形心理學, 臉部表情, 視覺場, Gestalt Psychology, Facial expressions, Visual field