後現代多元論展現於塗鴉藝術之創作應用

Abstract

後現代主義是多元且高度複雜的文化，起源自一九五○年的英美文學研究，一九六○ 年於建築設計風潮中興起，並在一九八○年代開始發揚光於大社會人文研究。後現代主義 的十一項多元特徵由伊哈布‧哈桑 ( Ihab Hassan ; 1925 年 ~ ) 確立 : 不確定性、分 裂性、非神聖化、無自我性、不可表象性、反諷、種類混雜、表演性、參與性 、建構主 義、內在性。而後現代主義的「多元論」展現於後現代圖文現象之「塗鴉藝術」時，其諸 多共同點十分有趣且著實引人入勝。 本研究藉由「後現代的多元論」的特性展現於「塗鴉藝術」之創作研究，從後現代 主義的起源到後現代的美學特徵，針對後現代圖文現象之一的「塗鴉藝術」進行剖析，以 「多元論」為概念軸心，藉由四大主題：不可表象性、反諷、種類混雜與內在性，將後現 代的風格展現於塗鴉藝術中，衍生出融合生活美學之創作應用，呈現出多元的設計風貌。

Post-modernism is in itself an ambiguous, highly omplicated culture. It originated in the studies of English and American literature in the 1950s, flourished in the architectural design in the 1960s and prevailed in the studies of Humanism in the 1980s. According to Ihab Hassan's point of view, post-modernism encompasses eleven diverse characteristics－ Indeterminacy, frabmentation, decanonization, selflessness, Depthlessness, The unpresentable, Unrepresentable, Irony, Hybridization, Carnivallization, Perfomance, Participation, Constructionism, and Immanence. From the characteristic of Uncertainty, we can see the crazy, disobedient and the immense power that can overturn everything of Post-modernism. This kind of power is still influential in every aspect. What post-modernism is looking for is "change." Therefore, everything will definitely show its uncertainty whenever it is in a changeable and moving state.