行旅印記-潘逸萱水彩創作研究

Abstract

摘要

本創作以 ｢行旅印記」系列作為創作研究的範圍，就是以自然界作為範疇，從中尋找之景色或物件，得以觸動內心之情感價值，進而用手的溫度在創作上闡述自身情感及研究範圍。對筆者而言，旅行是時間和空間的轉移，更是一種心情的轉移，而在旅行當中時間和空間是交錯並置，說穿了旅行其實就是人生的縮影，但我們往往闖進的，其實正是他人活生生的日常生活風景裡，雖然平淡卻存著另一種美感，更讓我們見識到不同國度自成一格的多元城市風貌，每個不同的時空各自擁有不同的生命軌道，各自發展他們的潛規則與需求，是一種體驗、是一種態度，能給予更多的激盪與省思，和面對生命的一種領悟，並喚其內心最深層底處那份原始的情愫。 本文中透過敘述自然世界裡，所有的事物分秒不停在運轉變化，在這自然的時空中裡帶給人們的感動是難以復見的，唯有親身經歷並感同深受其過程，才能將本研究創作詮釋出永恆的記錄，並透過創作理論與文獻分析，探究時間和空間關係的連結融合，藉以深入了解情境之美感，並探討光學與色彩理論對繪畫的影響，同時敘述筆者受到西方藝術流派中的印象主義、莫內、康斯塔伯、路斯達爾、霍貝瑪、柯洛…等的靈感啟發及潛移默化的影響，筆者更能體會感受畫家們的內心情緒感受，再藉由旅行於不同時空環境中，激發出創作思維與繪畫情感，以自然景觀系列、花系列、櫥窗系列， 作品創作藉以詮釋行旅印記之風格表現。

Abstract

This creation takes the travel imprint series as the scope of creation research. That is,to look for sceneries or objects within nature that promote emotional value spiritually and affectionately elaborate on author’s own emotions and research scope in artistic creation. For the author, travel is more of a transfer of mood rather than juxtaposed time and space. In fact, travel is actually the epitome of life. It is, however, others’ bland living landscape of daily life we often run into that bring to us unexpected sense of beauty. It shows us how multi-dimensional the taste of life in the city of different countries could be. Life varies in different time and space. We develop our own unspoken rules and needs in our life story. It’s an experience and an attitude. It can give us more motivation and reflection, an understanding of life, and evoke the original affection in the bottom of our heart. In this article, the author puts emphasis on the cherishing, once-in-a-life-time touching moments aroused by sensing the everchanging feature of the natural world. Only by going through the process and empathize with it in person could we interpret this piece of research creation as eternal records. We further understand the beauty of environments and look into the impacts of color and optics on painting with the use of creation theory, literature analysis and exploration into the fusion and connection of time and space relationships. It is noted that the author can better appreciate the inner emotions of the painters because he is influenced by the impressionism in Western art schools,under inspiration and subtle influence of Claude Monet( 1840 -1926 ), John Constable( 1776 -1837 ), Jacob van Ruisdael( 1628 -1682 ), Meindert Hobbema( 1638-1709 ), Jean-Baptiste-Camille Corot( 1796 -1875 )…etc. The author travels in different time and space environments to inspire creative thinking and painting emotions and interpret the style performance of travel imprint with paintings of natural landscape series, flower series, windows series and so on.