臺灣中式花藝展示的當代思維研究

Abstract

由古自今，隨四季更迭綻放的花朵成為繪畫、詩文的描繪對象，而插花藝術在生活中也總以優雅、美麗的姿態出現在人生的各個場合及居家環境中，因此插花、賞花的文化是歷史的傳承也是現代生活的潮流。本研究以「中華花藝」組織為主要研究對象，經由中式插花的形式表現臺灣中式花藝之美，並在研究中對此種插花形式在過去、現在、未來的藝術、產業表現及展示樣貌做分析、論述，期待這個具有文化特色的插花藝術能永續發展。本研究首先以中國歷代的插花文化發展及此文化傳至臺灣後，對歷經日本據臺、臺灣在地元素融合後的臺灣中式花藝做歷史溯源，後續引用圖像學說明中式花藝的圖像象徵意涵，並運用花藝的社會符號學，如：花語，來說明臺灣中式花藝的特色及作品的「景觀」表現。此外，文中引用亨利・列斐伏爾（Henri Lefebvre）空間生產理論，除驗證花藝師及其作品所參與生產的各種人生儀式感的空間外，更展現出花藝在生活的重要性。在藝術生活化，生活藝術化的現代社會中，如何將臺灣中式花藝的文化特色結合創意成為商品生產的思維，也成為當今各種花藝產業化的表現方式。研究中以中式花藝「中華花藝」團體的組織發展及其運用跨界合作的展示案例，說明臺灣中式花藝文化創意產業的表現及發展。而在當代藝術展覽總能吸引眾人目光並引起討論時，提出臺灣中式花藝展覽應如何透過當代展示方法表現其時代之美，並期待能透過當代花藝展覽建立與觀眾的新美學關係。在臺灣中式花藝的歷史建構及其當代表現的討論分析後，後續則以研究者於臺師大德群畫廊策辦的「插花－此時此地」展覽，做為本研究的具體實踐，研究中將策展前置作業及展覽各階段工作與展覽內容作介紹，在研究最後則提出研究者的研究成果、反思與期待。Flowers blooming with the changing seasons have been depicted in paintings, poetry and articles in history. The art of flower arrangement has been an integral part of life, gracing various occasions and home environments with elegance and beauty. This culture of flower arrangement and appreciating flowers are both a historical tradition and a modern lifestyle trend. The study takes the"Chinese Floral Art" organization as the main research object, exploring the beauty of Taiwanese Chinese flower arrangement art through the forms of Chinese flower arrangement art. It also examines the past, present, and future artistic and industrial developments and exhibitions of this flower arrangement style, aiming to support the sustainable development of this culturally distinctive art.This study begins with tracing the historical development of Chinese flower arrangement culture and itsevolution to Taiwan, particularly after influences from Japanese colonial period and the integration of local Taiwanese elements. The study also employs iconography to explain the symbolic meanings of Chinese flower arrangement art and uses the social semiotics of flower arrangement art, such as the"language of flowers," to illustrate the characteristics and "scene" of Taiwanese Chinese flower arrangement works. Additionally, the study incorporates the theory "the production of space" of Henri Lefebvre to verify how florists and their works creating life ritualistic spaces, demonstrating the importance of flower arrangement art in our daily. In modern society, where art integrates into life and life becomes artistic, how to combine the cultural characteristics of Taiwanese Chinese flower arrangement art with creativity to develop it as a commodity is a pressing question. This study analyzes the development of the"Chinese Floral Arts" organization and its cross-industry collaborative exhibitions as examples of the industrialization of Taiwanese Chinese flower arrangement art. Furthermore, it discusses how to use contemporary exhibition methods in this flower arrangement art exhibitions to display the beauty of the times and establish new aesthetic relationships with audiences. The study delves into the historical construction and contemporary expressions of Taiwanese Chinese flower arrangement art; moreover, the researcher curated the exhibition"Flower Arrangement-Here and Now" at the Dechun Art Gallery of National Taiwan Normal University as practical implementation for this study. This section details the preparatory work, stages, and exhibition content. Finally, the researcher presents the outcomes, reflections, and expectations of the study.