Instagram限時動態新聞的敘事結構初探

Abstract

媒體機構將社群媒體中的限時動態功能用作新聞媒介，創造「限動新聞」，展開新聞內容新表意模式，本文意在探究限動新聞的特性與樣貌，以及建構限動新聞的敘事結構形式與內容。從敘事傳播取徑出發，首先梳理敘事理論、新聞敘事模式、網路新聞特性，再以文本分析法、文獻分析法、參與觀察法、敘事分析法透過敘事傳播觀點、敘事典範，彙整限動新聞應用模式、限動新聞敘事結構及其中介歷程，最後提出限動新聞的形式、內容與本質，並初步歸結新聞文本結構封閉、媒體產出輕簡化、媒體產製複雜化、新媒體倫理興起、敘事本能受重視共五點限動新聞思考方向。

Following the launch of “Stories”, a function that allows users to post ephemeral photo and video slideshows that disappear after 24 hours, by social media, media agencies began to create “Story news” as an innovative ideographic modes of news release. This study aimed to explore the characteristics and features of Story news, as well as establish its narrative structure and content. Through narrative communication, this study first compiled the narrative theories, news narrative modes, and the characteristics of online news. Through textual analysis, documentary analysis, participant observation, and narrative analysis, this study summarized, from the perspectives of narrative communication and narrative paradigm, Story news application modes, Story news narrative structure, and its mediating process. Finally, this study delineated the form, content, and nature of Story news, and preliminarily proposed five thinking directions: closed textual structure of the news, simplified media output, complicated media production, emergence of new media ethics, and valuable narrative instinct.