淺談器樂合作之基本認知概論――以二重奏鳴曲為例

dc.contributor.author李燕宜zh_tw
dc.contributor.authorYen-I LEEen_US
dc.date.accessioned2016-04-28T02:32:51Z
dc.date.available2016-04-28T02:32:51Z
dc.date.issued2014-06-??
dc.description.abstract二重奏鳴曲大多以鋼琴為其合作器樂,其寫作部分極具份量,整體音樂結構關聯密切,雙方地位相等,是器樂曲中最能展現器樂合作的藝術,可謂器樂曲中最為重要的合作曲目,不僅是任何獨奏器樂在音樂會中必定會安排的曲目,更是鋼琴合作藝術教育中當成訓練器樂合作的基礎教材和樂曲。因此,筆者在本文中將利用二重奏鳴曲,來探討鋼琴合作者在器樂合作中應具備的基本認知、彈奏法、練習法及可能會遇到的問題等主題進行分析、探討,並舉實例說明。zh_tw
dc.description.abstractMany duo sonatas are written for piano and another instrument. In the writing, they display the heavy proportion, tightness musical structure relationship between both parts. In the instrumental repertoire, duo sonata requires a high art of collaboration. It can be described as the most important cooperative musical work. Not only in concerts, but also in the collaborative piano’s training methods, duo sonata is always given a significant place. Therefore, in this article the author will use various duo sonatas as examples to present the basic concepts, knowledge, playing techniques, practice methods and problems in instrumental accompanying .en_US
dc.identifierAD3801CE-0A24-53C8-4A51-407206282D55
dc.identifier.urihttp://rportal.lib.ntnu.edu.tw/handle/20.500.12235/77906
dc.language中文
dc.publisher國立臺灣師範大學音樂學院zh_tw
dc.publisherCollege of Music, NTNUen_US
dc.relation(20),39-72
dc.relation.ispartof音樂研究學報zh_tw
dc.subject.other二重奏鳴曲zh_tw
dc.subject.other器樂合作zh_tw
dc.subject.other基本認知zh_tw
dc.subject.other彈奏法zh_tw
dc.subject.other練習法。zh_tw
dc.subject.otherBasic concepten_US
dc.subject.otherduo sonataen_US
dc.subject.otherinstrumental accompanyingen_US
dc.subject.otherpractice methodsen_US
dc.title淺談器樂合作之基本認知概論――以二重奏鳴曲為例zh-tw
dc.title.alternativeThe Basic Concept of Instrumental Accompanying of Duo Sonatazh_tw

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