雅納捷克《荒草漫佈的小徑》第一冊之作品詮釋報告
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2020
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十九世紀歐洲國民樂派的興起，豐富了全歐洲的音樂文化，一批致力於振興自身民族音樂的作曲家出現，改變了西歐音樂潮流在各國的統治地位。其中，萊奧斯．雅納捷克(Leoš Janáček, 1854-1928)為重要的國民樂派音樂家之一，是捷克著名的作曲家、教育家、指揮家、音樂理論家及民間音樂採集者。
本文以雅納捷克的鋼琴曲集《荒草漫佈的小徑》第一冊之作品為研究主題，全篇論文共有六章，第一章：緒論；第二章：雅納捷克的音樂風格與養成；第三章：探討鋼琴曲集《荒草漫佈的小徑》第一冊之創作背景，以及語音旋律的創作手法；第四章：依序分為十節，個別針對十首小曲作詳細的樂曲分析，並探討語音旋律在此套作品中的運用；第五章從性格與速度、聲部層次與音色，與踏板的使用，對此套作品作綜合的詮釋探討；最後以第六章為此篇論文作一統整的結論。期望透過本文的研究與探討，能將所有的分析與論點，實際應用於演奏上，進而體會雅納捷克在音樂中，寄託的民族精神與美感。
The rise of Musical Nationalism in the 19th century enriched the music culture of Europe. The emergence of a group of composers who dedicated to revitalizing their own national music changed the dominance of Western European music trends in various countries. Leoš Janáček(1854-1928) is one of the important nationalistic musicians. He is a well-known Czech composer, educator, conductor, music theorist and folk music collector. This study is an analysis and interpretation of Janáček' s composition for piano cycle " On an Overgrown Path, Series I". The whole thesis consists of six chapters. The first chapter is introduction; the second chapter describes Janáček's musical style and Cultivation; Chapter3: Exploring the background of composition for piano cycle " On an Overgrown Path, Series I" and the compositional method of speech-melody; Chapter 4 is divided into ten sections where each section provides musical analysis of each of the ten small pieces in detail and explores the use of speech-melody; Chapter 5 makes a comprehensive interpretation of this set of works from characteristics, tempos, voicings, tone colors, and the use of pedals. Finally, Chapter 6 makes a unified conclusion for this paper. It is my hope that the detailed discussion and analysis in this document can be practically applied to the performance and Czech national spirit and beauty of Janáček' s music.
The rise of Musical Nationalism in the 19th century enriched the music culture of Europe. The emergence of a group of composers who dedicated to revitalizing their own national music changed the dominance of Western European music trends in various countries. Leoš Janáček(1854-1928) is one of the important nationalistic musicians. He is a well-known Czech composer, educator, conductor, music theorist and folk music collector. This study is an analysis and interpretation of Janáček' s composition for piano cycle " On an Overgrown Path, Series I". The whole thesis consists of six chapters. The first chapter is introduction; the second chapter describes Janáček's musical style and Cultivation; Chapter3: Exploring the background of composition for piano cycle " On an Overgrown Path, Series I" and the compositional method of speech-melody; Chapter 4 is divided into ten sections where each section provides musical analysis of each of the ten small pieces in detail and explores the use of speech-melody; Chapter 5 makes a comprehensive interpretation of this set of works from characteristics, tempos, voicings, tone colors, and the use of pedals. Finally, Chapter 6 makes a unified conclusion for this paper. It is my hope that the detailed discussion and analysis in this document can be practically applied to the performance and Czech national spirit and beauty of Janáček' s music.
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雅納捷克, 語音旋律, Janáček, Speech-melody