穆梭斯基《展覽會之畫》之分析與演奏詮釋

Abstract

《展覽會之畫》為俄國作曲家穆梭斯基 (Modest Mussorgsky, 1839-1881) 之鋼琴組曲，這部作品以其獨特的音樂風格描繪畫展中的畫作。 本文將探究十九世紀末俄國歷史、音樂發展以及穆梭斯基生平，另外深入分析《展覽會之畫》作品分析以及演奏詮釋。全文共八個章節，第一章為緒論；第二章為研究動機與目的；第三章探討十九世紀後半葉的俄國歷史背景，並剖析穆梭斯基的生平、音樂風格和特色；第四章闡述《展覽會之畫》的創作背景、穆梭斯基和畫家哈特曼 (Victor Hartmann, 1834-1873) 的關係以及樂曲的創作和出版；第五章則詳細分析樂曲結構，並探討標題與畫作之間的關聯；第六章逐一分析《展覽會之畫》中各個樂章，並作演奏詮釋的分析；第七章比較穆梭斯基鋼琴版本與拉威爾的管弦樂版本差異；第八章為結論，總結論文並對穆梭斯基的音樂影響進行概述。 整篇論文依循著穆梭斯基音樂作品《展覽會之畫》的結構，深入剖析這部作品背後的歷史、故事和音樂意義。"Pictures at an Exhibition" is a piano suite by Russian composer Modest Mussorgsky. This piece characterized by its unique musical style, depicts paintings showcased at an art exhibition. This written report consists of eight chapters. Chapter one is an introduction. Chapter two outlines the research motivations and objectives. Chapter three delves into the latter half of 19th-century Russian history, analyzing Mussorgsky's biography, musical style, and characteristics. Chapter four elaborates on the background of"Pictures at an Exhibition," including Mussorgsky's relationship with painter Hartmann and the process of composition. Chapter five analyzes the musical structure and explores the connection between titles and paintings. Chapter six offers individual analyses and interpretations of each movement. Chapter seven compares Mussorgsky's piano version with Ravel's orchestral version. Finally, chapter eight summarizes the points and provides an overview of Mussorgsky's musical influence. The written report delves into the structure of Mussorgsky's "Pictures at an Exhibition," thoroughly analyzing the historical background, narratives, and musical significance behind this work.