私語─自然中詩意抒情之體現

Abstract

本創作研究以私語─自然中詩意抒情之體現為主題，探討繪畫中哲學的概念與內涵，與繪畫中文學性的意境展現。並透過對自然物的觀照，呈現出美的本質。 論文撰寫的重心架構共分六章來敘述，謹摘要如下： 第一章：緒論。敘述筆者創作研究之動機、目的，與研究範圍。因於筆者深受東方藝術的影響，所以在創作過程中欲展現東方藝術美之本質，如虛實的空靈、文學的意境、自然中無我之境的凝視。透過哲思與文學性的探討，從自然的觀照裡，去體現詩意抒情與美的本質。 第二章：創作思想與理論基礎。筆者以靈感的發跡和內心的視像，做為創作的源頭。理論基礎由繪畫中哲學的概念與內涵，和文學中意境美學為出發，延伸出叔本華的美學觀與王國維的意境說。筆者欲從哲學中，發現藝術的深度，從文學裡，追尋藝術的內涵。 第三章：創作主題背景條件與元素。以金銀箔的運用、自然物的生命意涵，和畫面詩意之抒情三個方向，做為創作的條件與元素。 第四章：創作內容與技法。從自然中常被人忽略的一景一物，去體現「一沙一世界，一花一天堂」的境界。以花的姿態、雲的聯想、城市邊緣這三大要素為主體，並探究其形式與技法媒材之應用。 第五章：作品解說與分析。分析作品之主題內容及表現形式。 第六章：結論。個人創作觀感與成果的分享，並期許自我在未來創作中能更趨於成熟與進步。

This research discusses the realization of the concept of philosophy and literary aesthetics within painting, under the theme of presenting the poetic nature via the author’s interpretation. She hopes to present the nature of beauty through observing the nature. The thesis is divided into six chapters. In the first chapter, it discusses her motive, purpose and scope of the research. Due to the profound influence Oriental Fine Art has on her, she tries to put its essence into her works, such as emptiness, literary concepts, and the omission of “I.” Via observing the nature, she tries to realize the poetic beauty in a philosophic and literary touch. In the second chapter, it discusses her inspiration and theory. Inspiration and vision within mind are her sources of creation. The theory begins with the philosophic and literary beauty lying in painting, thus extending to Arthur Schopenhauer’s aesthetics and Wong Guo-Wei’s theory of combining personal feelings and the surroundings. She tries to discover the profoundness of art via philosophy and literature alike. The third chapter discusses background and elements for her creation. The application of gold and silver foil, the life of nature, and the poetic beauty are the background and elements for her works. The fourth chapter discusses the content and technique of her creation. By displaying the often-omitted surroundings in painting, she conveys the idea of “To see the world in a grain of sand, and heaven in a wild flower.” (By William Blake) She applies her techniques and materials to present the poise of flowers, associative thinking of cloud, and the city edge.She interprets her works via analyzing the themes, and how they are presented in the fifth chapter. Eventually, chapter six is the conclusion. She shares the individual creative perspective and works, hoping to achieve maturity and advancement in the future.