非理性的理性隱秘結構之繪畫創作研究 —陳建輝繪畫創作論述

Abstract

理性與非理性（感性）構成了世界。在理性的架構上，一切就像棋盤一樣被整齊劃一而存在，而在藝術的表現上就是一種簡潔，明確的展現。但是這卻不是真實的生命的狀態，真正的圓滿是不存在於現實中的，真實的生命會有缺陷，缺陷產生心靈上的不平衡，因而產生內心能量的渦旋流動。 本論文不只透過藝術原理或是藝術理論更參照唯識學、心理學、混沌科學、碎形幾何等各領域的知識做為引證和論述，目的為了能較為客觀的掀開隱藏於藝術作品上的渦旋結構。尤其在越以主觀情感做為抒發的藝術作品中越是明顯，這樣的結構就像是性靈抒發的外在表現模式。這點正是東方藝術擅長所在，或許這與東方的哲學觀有很大的關係，相較於西方，東方民族注重性靈上的提升勝過於對物質的追求。物質是可見的、是理性的，而內心是流動的、不可見的、無法捉摸的非理性。而這正是歷來在東方藝術中所強調的畫面流動性，如果換成藝術語言就是畫面的「氣勢」，畫面的氣勢就是內心的狀態。 作品越是非理性、越是憑直覺，畫面上渦旋結構更為清晰。藉由這種結構將深層知覺非具象能量提到表層的知覺，他破壞理性的邏輯或說是超出理性邏輯的負荷，畫面上開始解除彼此的疆界，畫面不再拘泥於完整的個體，所有的畫面元素被非知覺所導引，以螺旋做為基本的結構形成最後的渦旋秩序，藝術品從創作開始的那一刻與身體融匯一處，心靈像支幹般往外一層一層往外發散，既相似又相異直至階段的結束，畫布上形象如同心靈的痕跡一般！This world is composed by rationality and irrationality. The structure of rationality is like checkerboard, neat and tidy, which shows succinctly and definitely in the form of art. However, this is not the real condition of life. Perfection does not exist in reality. There are defects in life, which cause the unbalance in our spirit and make the energy flows like vortex.

In order to objectively reveal the vortex structure hidden in the works of art, this thesis not only quotes from principles or theories of art, but also Vijñānavāda, psychology, chaos theory, fractal geometry, etc. This structure is just like the expression of spirit, which especially shows obviously in the art of expressing subjective affections. This is just the advantage of eastern art, which might relate to eastern philosophy. Comparing to that of the west, eastern people emphasize more on spiritual needs than material ends. Material is visible and rational, but spirit is invisible, fluid, irrational and unpredictable. This is the flow in paintings which has been emphasized in eastern art, so-called “qi”, representing the spiritual conditions.

The more irrational and instinctive the work is, the clearer the structure of vortex presents. Through this structure, the abstract energy of consciousness in deep is raised to the surface, destroying or overtaking the logic of rationality: the borders in paintings begin to dissolve, and there is no more complete figure. All elements in paintings are led by unconsciousness, based on the structure of spiral, which at last forms the order of vortex. The work has been integrated with body from the beginning of being created, and the spirit expands to the end like branches, which are similar to and also different from each other. The image in paintings is just like the tracks of spirit!