彭郁雯《寒鴉三部曲》之創作手法探討與演奏詮釋

dc.contributor賴秀綢zh_TW
dc.contributorLai, Hsiu-Chouen_US
dc.contributor.author柳坤汝zh_TW
dc.contributor.authorLiu, Kun-Juen_US
dc.date.accessioned2024-12-17T03:38:12Z
dc.date.available2024-02-02
dc.date.issued2024
dc.description.abstract《寒鴉戲水》為「潮州弦詩樂」十大套曲之一,也是十大套曲中最為潮州樂人所推崇的一首樂曲,樂曲旋律優美,韻味別緻,屬於「重三六調」,六十八板,潮州箏樂調式有輕三六、輕三重六、重三六調及活五調,此曲係由「頭板」、「拷拍」及「三板」所組成的六十八板樂曲。此次研究主題主要探討《寒鴉三部曲》之樂曲創作手法分析與演奏詮釋。此曲為《絲竹空爵士樂團》藝術總監彭郁雯所編創,以古曲潮州箏曲《寒鴉戲水》為靈感的改編創作,其中分成三個樂章〈水畔〉、〈寒鴉〉、〈嬉水〉,作曲家將此首具有地方特色的潮州音樂古曲,以及西方爵士風格的樂曲音樂元素加以調合,在彭郁雯嫻熟的作曲技巧下,將樂曲東方與西方、傳統與現代錯落有致地融合,樂章間層次堆疊,也活現了樂曲的風格。本論文主要分為六個部分,第一部分,藉由文獻資料的蒐集與閱讀,進而探討樂曲創作背景與資料彙整;第二部分,為作曲家彭郁雯生平與創作背景;第三、四及五部分,為《寒鴉三部曲》之三個樂章〈水畔〉、〈寒鴉〉、〈嬉水〉分別進行架構、樂曲分析及樂曲演奏詮釋之探討;第六部分,探求現代編創音樂的應用,總結每一章節的研究成果,加入筆者對於詮釋演奏手法的運用,並重新演繹此樂曲。zh_TW
dc.description.abstractCold Crows Playing in the Water"is one of the ten major suites of Teochew stringed music,and is also one of the ten most highly regarded by Teochew musicians.The piece has a beautiful melody and exquisite flavor,and belongs to the "Heavy Triple-Six Tune,"with sixty-eight panels,and the Teochew zheng tunes include Light Triple-Six,Light Triple-Six,Heavy Triple-Six,and Live Five. The piece consists of the"First Panel," "Counter-Pattern,"and the "Third Panel," and the 68 panels. The theme of this research is to analyze the compositional techniques and performance interpretation of the Cold Crow Trilogy.This piece was arranged by Peng Yuwen,Artistic Director of the Silk Bamboo Air Jazz Orchestra,and is inspired by the ancient Teochew zheng song"Cold Crows Playing in the Water",which is divided into three movements:"By the Water", "Cold Crows",and "Playing in the Water".The composer combines this ancient Teochew music with its local characteristics with the Western jazz style musical elements,and with Peng's skillful composing techniques,she has created a composition that combines the East and the West, tradition and modernity, Under the skillful compositional skills of Peng Yuwen,the music is a harmonious blend of East and West, tradition and modernity,with overlapping layers between the movements,and also realizes the style of the music.This thesis is divided into six parts.In the first part,the background of the composition and the compilation of data are explored through the collection and reading of literature;in the second part,the biography and background of the composer Peng Yuwen are discussed;in the third, fourth and fifth parts,the structure,musical analysis and interpretation of the three movements of Cold Crow Trilogy,namely,"By the Water," "Cold Crow,"and "Playing in the Water,"are explored;and in the sixth part,the structure, analysis and interpretation of modern arrangements of music are explored.Part 6 explores the application of modern arrangement of music,summarizes the research results of each chapter and section,adds the author's application of interpretive performance techniques,and re-interprets the piece.en_US
dc.description.sponsorship民族音樂研究所zh_TW
dc.identifier60991005M-44768
dc.identifier.urihttps://etds.lib.ntnu.edu.tw/thesis/detail/ac4fc632020578f503053f58bf6d3735/
dc.identifier.urihttp://rportal.lib.ntnu.edu.tw/handle/20.500.12235/123746
dc.language中文
dc.subject柳琴zh_TW
dc.subject《寒鴉戲水》zh_TW
dc.subject《寒鴉三部曲》zh_TW
dc.subject即興zh_TW
dc.subject傳統與現代zh_TW
dc.subjectLiuqinen_US
dc.subjectCold Crow in the Wateren_US
dc.subjectThe Cold Crow Trilogyen_US
dc.subjectimprovisationen_US
dc.subjecttradition and modernityen_US
dc.title彭郁雯《寒鴉三部曲》之創作手法探討與演奏詮釋zh_TW
dc.titleDiscussion and interpretation of the creative techniques of Peng Yuwen's “Jackdaw Trilogy”en_US
dc.type作品連同書面報告(藝術類)

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