表現主義應用在文化創意產品設計之創作研究-以康丁斯基為例
| dc.contributor | 王千睿 | zh_TW |
| dc.contributor | Wang, Chien-Jui | en_US |
| dc.contributor.author | 劉品宜 | zh_TW |
| dc.contributor.author | Liu, Pin-Yi | en_US |
| dc.date.accessioned | 2022-06-08T03:02:55Z | |
| dc.date.available | 2024-02-29 | |
| dc.date.available | 2022-06-08T03:02:55Z | |
| dc.date.issued | 2022 | |
| dc.description.abstract | 設計思維訓練對於設計師來說是一項相當重要並且必須具備的能力，在訓練過程中培養造型構成、視覺思考能有效的提升設計的敏銳度，並透過一些直接或間接的聯想，將一些色彩、線條通過給予方向性或者排列組合來達到創新的目的，來讓創作設計上有更多的可能性。本研究以表現主義藝術家康丁斯基之繪畫為主要研究範圍，透過了解表現主義與康丁斯基繪畫風格的轉變，來探討康丁斯基繪畫創作理念，理解其色彩應用及幾何風格，並藉由了解文化創意產業設計轉化的手法，解析以平面立體設計轉化為題之文化創意商品，去分析其設計手法及特色，來了解平面與立體之間的轉化，並建立設計轉化流程。以康丁斯基圓的時代後期繪畫為創作基底，將其繪畫解析後的成果進行設計創作，推廣其文化意涵。創作成果以康丁斯基的五幅繪畫為主題，包含了「在白色畫布上的第二號」、「構成第八號」、「彼此一致」、「黃色畫布」、「箭」，從這五幅作品作為靈感及概念發想，並運用設計轉化模式將其立體化，在保留康丁斯基繪畫概念的同時使其成為符合使用者喜好的文化創意產品。運用多面向的規劃，實際將產品設計出來，並記錄設計之過程。研究者依據創作成果，認為設計轉化模式可將藝術文化保留，並給予其新的樣貌。期望往後可成為同類型研究者的參考依據，依此設計模式進行平面、立體轉化，並進行後續設計模式的修正與更改，探討出最佳的設計轉化模式。 | zh_TW |
| dc.description.abstract | The training of design thinking is a very important and necessary ability for designers. The training process of cultivating shape composition and visual thinking can effectively enhance the design acumen, and through some direct or indirect association, some colors and lines can be given direction or arranged and combined to achieve the purpose of innovation, so that there are more possibilities in the creation of design. This study takes the paintings of Kandinsky, an expressionist artist, as the main scope of research. Through understanding the changes of expressionism and Kandinsky's painting style, we explore Kandinsky's painting creation concept, understand his color application and geometric style, and analyze the design techniques and characteristics of the cultural and creative products with the theme of transforming graphic three-dimensional design to understand The course will analyze the design techniques and characteristics of the cultural and creative products with the theme of graphic and three-dimensional design transformation, and establish the design transformation process. Using Kandinsky's post-period paintings as the base of creation, the results of the analysis of his paintings are used to create designs and promote their cultural connotations. The result of the creation is based on five paintings by Kandinsky, including " On the White II ", " Compostion VIII ", " Mutual Agreement ", " The Yellow Canvas ", and " The Arrow ", which are inspired and conceptualized by these five works, and then transformed into a cultural and creative product that meets the user's preference byusing the design transformation mode to preserve the concept of Kandinsky's paintings. The product is actually designed using multi-faceted planning, and the design process is recorded. Based on the results of the creation, the researcher believes that the design transformation model can preserve the art culture and give it a new look. It is hoped that this design model can be used as a reference for similar researchers in the future to carry out flat and three-dimensional transformations, and to carry out subsequent revisions and changes of the design model to explore the best design transformation model. | en_US |
| dc.description.sponsorship | 設計學系 | zh_TW |
| dc.identifier | 60868026T-40997 | |
| dc.identifier.uri | https://etds.lib.ntnu.edu.tw/thesis/detail/a92e8f12705938774fe2f3c50f81a303/ | |
| dc.identifier.uri | http://rportal.lib.ntnu.edu.tw/handle/20.500.12235/118434 | |
| dc.language | 中文 | |
| dc.subject | 文化創意 | zh_TW |
| dc.subject | 表現主義 | zh_TW |
| dc.subject | 康丁斯基 | zh_TW |
| dc.subject | 設計轉化 | zh_TW |
| dc.subject | cultural creativity | en_US |
| dc.subject | design transformation | en_US |
| dc.subject | expressionism | en_US |
| dc.subject | Kandinsky | en_US |
| dc.title | 表現主義應用在文化創意產品設計之創作研究-以康丁斯基為例 | zh_TW |
| dc.title | Research on the Application of Expressionism to the Creation of Cultural and Creative Product Design-Take Kandinsky as an example | en_US |
| dc.type | 學術論文 |