由閹歌手與褲裝角色看歌劇中聲音與性別錯置之音樂戲劇美感
dc.contributor.author | 羅基敏 | zh_tw |
dc.contributor.author | Kii-Ming Loo | en_US |
dc.date.accessioned | 2014-10-27T15:02:49Z | |
dc.date.available | 2014-10-27T15:02:49Z | |
dc.date.issued | 2004-09-?? | zh_TW |
dc.identifier | AC5F91F0-0281-CC05-2381-99826F8004BF | zh_TW |
dc.identifier.uri | http://rportal.lib.ntnu.edu.tw/handle/20.500.12235/7312 | |
dc.language | 中文 | zh_TW |
dc.publisher | 國立臺灣師範大學音樂學院 | zh_tw |
dc.relation | (10),17-32 | zh_TW |
dc.relation.ispartof | 音樂研究學報 | zh_tw |
dc.title | 由閹歌手與褲裝角色看歌劇中聲音與性別錯置之音樂戲劇美感 | zh-tw |
dc.title.alternative | Cross-dressing in Operas: On the Musical-Theatrical Aesthetics of Castrato and Trouser-role | zh_tw |
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