獨‧白─侯珮瑩繪畫創作研究

Abstract

本文以「獨‧白」為主題，藉由熟悉的自己與家人的形體，探討自身生命面貌與承載的象徵意義。作品大致可分成：「獨白」系列；「煙霧」系列；「親人」系列。 藉由具吸收性強的宣紙，結合水墨媒材，營造出宣紙特有的渲染氛圍，在墨與水的交融中呈現光影效果，造成類似素描的創作效果。透過視覺、造型與空間的搭配，予以觀賞者的想像空間。

本文撰寫分五章，各章節摘要如下： 第一章 藉由研究動機、目的、方法、架構、範圍與限制，以「獨白」視角探討筆者內心感知，進而找到自我存在價值及個人意識覺醒。 第二章 以「移情作用」、「悟的體驗」及「老子美學」的理論探究上與繪畫呈現方式相結合，進而探討不同於東西方審美的理性探求，與自身生命的存在價值以及美感哲思，對繪畫創作的影響。 第三章 討論筆者繪畫創作內容的「層次」與「象徵」，及「內容表現」與「畫面形式」客觀分析畫面行程及原理，並對創作過程的媒材和技法運用加以說明。 第四章 繪畫創作是筆者自我內心的私密對話，藉由「內容」、「形式」、「媒材」、「構圖」、「技法」、「學理」等角度對作品論述解析，讀者可透過本章理解筆者繪畫觀點與創作目的。 第五章 結論以「學術理論」、「創作理論」、「創作表現」三方向檢討論文與繪畫創作的感思，並對未來創作方向作說明。The subject of this thesis is soliloquy. Through the familiar figures of my self and relatives, this article explores the symbolic meaning of one's own life. Works can be roughly divided into: " Soliloquy " series; "Smoke" series and "Family" series . With water-absorbing rice paper combined with ink media, one can create a unique washing atmosphere on rice paper. Light and shade effect is presented in the blending of ink and water, resulting in sketch work style. Viewers are given the room for imagination through the collaboration of visual language, modeling and space. This article is divided into five chapters, and each chapter is summarized as follows: The first chapter is research motive, purpose, methodogy, structure, scope and limitations.In the perspective of "soliloquy", I explore the author's inner perception and find the value of self-existence and the awakening of personal consciousness. In the second chapter, with the combination of theory explaration and painting presentation of “empathy", "experience of enlightenment" and "Lao Tze Aesthetics," the author explores the rational exploration different from east and west aesthetics, the existence value of his own life, aesthetic philosophy, and impact on painting creation. The third chapter discusses the "hierarchy" and "symbolism" of the author's painting creation content and the objective analysis of the screen and the principle of the "content presentation" and the "screen form." The fourth chapter are drawings which are the author's inner-self private dialogues. Through the analysis of the works from the angles of "content", "form", "medium", "composition", "technique" and "theory", readers can understand the author's painting viewpoint and creation purposes through this chapter. The fifth chapter, conclusion, examines the thoughts of thesis and painting in the following three directions: "academic theory", "creation theory" and " creation expression." It also illustrates the direction of future work creation.