小約翰.史特勞斯《蝙蝠》序曲之樂曲分析與指揮詮釋 The Conducting Interpretation and Analysis of Johann Strauß's Die Fledermaus Overture

Date
2022
Authors
黃俊銘
Huang, Chun-Ming
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Abstract
有著「圓舞曲之王」美譽的小約翰.史特勞斯 Johann Strauß II, 1825 1899)作品數量豐沛,曲調平易近人 。 他 的生平及歌劇作品,已有許多專書討論,因此本 文將不探究歌劇劇情與音樂之間的關係,將著重在樂曲分析與指揮之間的詮釋探 討。樂曲分析會以指揮者的角度,輔以相關理論專書來分析此曲的曲式結構、管弦 樂編制、速度的運用安排。指揮詮釋探討部分, 研究者 透過文獻、有聲資料的蒐集、 歸納與整理,並以樂曲分析作為指揮詮釋的依據。
Johann Strauß II, 1825-1899, known as"The Waltz King", has abundant works, and his music is approachable. Additionally, his life and operas have been widely discussed by many monographs. Therefore, the relations between the plots of his operas and music will not be explored in this research. The researcher will focus on the interpretation between the analysis of composition and conducting. Analysis of composition will be discussed in the conductor’s perspectives, and also with the help of monographs to analyze the structures of composition, orchestration and the arrangements for the use of speed. In terms of the interpretation of conducting, it is inducted and organized through literature, as well as the analysis of composition and orchestration.
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小約翰.史特勞斯, 輕歌劇, 《蝙蝠》, 序曲, Johann Strauß II, Operetta, Die Fledermaus, Overture
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