探討臺北爵士樂環境與上海、東京比較
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2017
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Abstract
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Jazz is a modern musical language that beats to its own rhythm. This paper will explore how this Western musical genre has been assimilated and/or adapted in major cities in East Asia, with a focus on Taipei and Shanghai and Tokyo as comparison points. I will examine the socio-historical development of jazz music in each city through the impact of cultural imperialism and nationalism, the development of modernism, and as soundscapes. By gathering data from modern-day case studies and performing personal interviews and surveys in the search for authenticity, I will describe the current state of jazz music in Taipei and make recommendations for future promotion.
Jazz is a modern musical language that beats to its own rhythm. This paper will explore how this Western musical genre has been assimilated and/or adapted in major cities in East Asia, with a focus on Taipei and Shanghai and Tokyo as comparison points. I will examine the socio-historical development of jazz music in each city through the impact of cultural imperialism and nationalism, the development of modernism, and as soundscapes. By gathering data from modern-day case studies and performing personal interviews and surveys in the search for authenticity, I will describe the current state of jazz music in Taipei and make recommendations for future promotion.
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jazz, Taipei, Shanghai, Tokyo, venues, soundscapes, authenticity, nationalism, cultural imperialism, modernism, jazz, Taipei, Shanghai, Tokyo, venues, soundscapes, authenticity, nationalism, cultural imperialism, modernism