跨界音樂與配樂之鬼才─范宗沛影音紀錄(2010.10-2011.07) Recording of “ a Crossover music master and a genius of the score”: Fan Tsung-Pei.

Date
2012
Authors
張瑀真
Yu-chen CHANG
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Abstract
范宗沛,一位在錄音室工作的大提琴演奏家,在台灣素有「配樂鬼才」之稱號。本研究希望紀錄范宗沛老師的表演與創作,並藉著文獻整理、現場素材收集以及作品分析,將其過去至現在所有多媒體資料加以整合,典藏這位在台灣跨界音樂與配樂創作佔有重要地位的音樂人。 本研究主要於2010年十月至2011年七月間對范宗沛老師的音樂相關工作進行一段長時間的跟拍記錄,紀錄內容則包括「音樂創作」與「舞台演出」兩大項。筆者藉由文獻探討、音樂分析、深度訪談、實地跟拍、音樂會影音製作等方式,對范老師「音樂創作」中配樂工作與跨界音樂元素進行資料收集與討論,並對「舞台演出」方式進行影音記錄與數位化典藏。最後將所有素材整理製作成文本與紀錄片兩種形式,兩者相互參照,藉此忠實並全面性地呈現范宗沛此段時間內的音樂活動。
The cellist and composer working in a recording studio Fan Tsung-pei, also called “genius of the score” in Taiwan, has had an impressive award records. This research recorded Fan’s live performances and compositions from 2010/10 to 2010/07. From gathering multimedia materials such as literature, multimedia recordings and music analysis, the writer collected a large number of concert recordings and interviews about this brilliant musician. For this documentary film about the research “Recording of a Crossover music master and a genius of the score: Fan Tsung-Pei.” the writer filmed Fan Tsung-pei’s music works in 2010-2011, especially recording his stories of “soundtrack creations” and “performances in public.” By literary reviewing, works analyzing, depth interviewing, music concert recording and filming, we could find out what Fan has done in his background music and crossover music productions. In addition, all concert recording files would be classified and digitized. Finally, the elements: texts, images and films,have been organized into a thesis and the documentary. Readers could understand Fan’s story in 2010-2011 by reading this thesis and watching the film of this research.
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Keywords
范宗沛, 配樂, 跨界音樂, 多媒體影音紀錄, Fan Tsung-pei, Soundtracks, Crossover music, Multimedia recordings
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