戲說情愛–秦秀珠水墨京劇人物畫創作論述

Abstract

本論文「戲說情愛」主要針對戲曲中愛情的描寫，擷取六個經典的名劇，為主要的研究與創作。「戲說」有二個內涵，一是代表說的京戲，二是遊戲之說，來反映和傳達愛情的主題。因此當筆者走入劇場，去看戲、聽戲，才發現戲曲是人間瑰寶，給人以一種高雅精緻的藝術享受，大飽眼耳之福，讓人融入劇中情境，可為情而死，為情而生，為情而活，是如何曲折離奇，又如此深情絕美，如此扣人心弦，如此情真情致，這份情愛穿越陰陽，傳誦古今，有情人終成眷屬。更有悲壯絕望殉情，此恨綿綿無絕期 ，期待來世再重逢， 這些都要有多大熱情和勇氣。筆者由此獲得大量創作的題材與靈感，轉化為心中意象，再以水墨創作為基礎，把傳統水墨與現代水墨創作的技法相互融合與創新，呈現水墨畫不同的風格，來豐富我們對這些經典戲曲的認識。本論文架構共分五章分別為：第一章：緒論，內容包括研究動機與目的、研究內容與範圍、研究方法、名詞釋義；第二章：京劇的情愛美學探析，戲說京劇的情愛劇情的寓意、京劇的生旦淨丑、兩岸藝術家京劇畫作之分析；第三章：「戲說情愛」創作理念與實踐，進一步說明創作理念、創作實踐；第四章：創作作品解析與創作過程，序曲與六大經典戲曲系列；第五章：結論，創作省思與未來展望。京戲在世界劇壇上獨樹一幟，具有鮮明的民族特色和獨特的美學特徵。具有寫實性、寫意性、虛擬性；與現代繪畫寫實、寫意、抽象不謀而和，二者有異曲同工之妙，都在傳統中求新求變。此次京戲繪畫創作研究中將中華民族最高雅、內涵最豐富的戲劇藝術，用水墨人物創作作品，呈現出新的視覺語言，希望能為這個時代的戲曲創造新的契機，讓年輕人更能認同接受。關鍵字：戲說、現代水墨、寓意、京劇人物、虛擬性The thesis “Lovein Peking Opera” mainly focuses on the portrayal of love in traditional Chinese opera, it selects six classic plays as the primary subjects of research and creation. It has two connotations: one represents the storytelling in Peking Opera, and the other represents the idea of playfulness, reflecting and expressing the topic of love. Therefore, when the author enters the theater to watch and listen to the opera, they will find out that traditional Chinese opera is a treasure of humanity, providing an elegant and exquisite artistic enjoyment, satisfying the senses, and allowing people to immerse themselves in the dramatic situations. People are willing to die, be born, and live for love, experiencing the twists and turns, the deep and beautiful emotions, the gripping and sincere feelings. This love transcends time and space, echoing through the ages, and true lovers eventually unite. There are also tragic and desperate acts of sacrifice for love, with endless lingering regrets, hoping to reunite in the next life, requiring immense passion and courage. From this, the author gains a wealth of creative material and inspiration, transforming them into mental images. They then integrate traditional and modern ink painting techniques, using ink painting as a foundation to present different styles of ink paintings, enriching our understanding of these classic operas.The structure of this thesis is divided into five chapters: Chapter 1: Introduction, including research motivation and purpose, research content and scope, research methods, and definition of terms; Chapter 2: An analysis of the aesthetic of love in Peking Opera, discussing the symbolism of romantic plots in Peking Opera, the roles of Peking Opera, and analysis of Peking Opera paintings by artists from both sides of the Taiwan Strait; Chapter 3: "Love in Peking Opera" creative concept and practice, further explaining the creative concept and practice;Chapter 4: Analysis of creative works and the creative process, including the prelude and the six major classic opera series; Chapter 5: Conclusion, reflecting on the creative process and future prospects.

Peking Opera stands out in the world of theater with its distinct national characteristics and unique aesthetic features. It combines realism, expressiveness, and virtuality, and shares similarities with modern painting in terms of realism, expressiveness, and abstraction. Both share the same spirit of innovation and change within tradition. This research on Peking Opera creation aims to use the most elegant and richly meaningful drama art of the Chinese nation to create ink figure works, presenting a new visual language. Hope to create new opportunities for the development of traditional opera in this era, making it more appealing and identifiable to young people.Keywords: storytelling, modern ink painting, symbolism, Peking Opera characters, virtuality