此岸彼岸:鄭明珠橋的意象創作論述 The Shore and Beyond the Shore:The Imagery of Bridges in Ming-Chu Cheng's Ink Art Creation

dc.contributor 莊連東 zh_TW
dc.contributor Chuang, Lien-Tung en_US
dc.contributor.author 鄭明珠 zh_TW
dc.contributor.author Cheng, Ming-Chu en_US
dc.date.accessioned 2022-06-07T09:24:18Z
dc.date.available 2021-08-16
dc.date.available 2022-06-07T09:24:18Z
dc.date.issued 2021
dc.description.abstract 本創作研究旨在探討「此岸」「彼岸」與當今社會現象、人際關係及新冠肺炎(COVID-19)疫情影響的關係,透過內心思維、奇幻聯想和日常所見景象的關聯,藉以表達自己對「橋的意象」之主觀情懷。以橋的意象作為主要創作對象,加以個人天馬行空的奇思異想,藉由挪用、異質同構、並置及撕貼等手法,以圖像、符號、色彩、造型等物象,轉化成為「橋」的多元意涵。在本創作研究中,嘗試不同於個人以往的水墨創作形式,使用鮮明的色彩及撕貼的過程,將個人的情感釋放解脫,藉由藝術形式具體的呈現表達,以期營造出虛實、糢糊與幻象的畫面,形成「現實」與「超現實」交疊的境域。本創作論述共分為五章,第一章緒論,包含研究動機與目的、研究內容與範圍、研究方法與限制及解釋名詞。第二章此岸與彼岸的意涵與轉化,闡述說明創作主題的意涵與創作圖像符號轉化之間的關係,以及相關學理探討分析。第三章創作理念與實踐,透過個人創作內涵理念的鋪陳及圖像元素之形塑,營造虛實、色彩及空間的氛圍,剖析自我的創作思維,以及媒材技法與表現形式。第四章作品分析,藉由9件作品的創作實踐,進行作品分析與創作過程說明。第五章結論,透過本次創作實踐的成果回顧,審視創作過程中自身的不足之處,以及對於未來展望,並期能持續保持創作能量。關鍵字:水墨創作、此岸彼岸、橋、挪用、異質同構、並置 zh_TW
dc.description.abstract This dissertation is to explore the relations between"the shore" / "beyond the shore" and the present of social phenomena, interpersonal relationships and the effect of the COVID-19 epidemic. I want to associate inner thinking and fantasy with sight of daily life, as to express my personal perceptions and subjective feelings of "The Imagery of Bridges". Taking the imagery of bridges as the main creative subject and adding personal fantasy. Through the methods of appropriation, heterogeneous isomorphism, juxtaposition, tearing and pasting, I have transformed some images, symbols, colors, shapes, and other objects into multiple meanings of"Bridges". In this creation research, I have tried different forms from my previous ink painting, by using bright colors and the method of tearing and pasting to reveal my emotions. Through the concrete expression of the art form, I hope to create a scene of virtual reality, blur and illusion, and to form a realm where reality and surreal overlap. There are five chapters in this dissertation. Chapter 1 is an introduction. It includes research motivation and purpose, content and scope, methods and limitations, and explanatory terms. Chapter 2 is the meaning and transformation of the shore and beyond the shore, expounding the relations between the meaning of my creative theme and the transformation of creative image symbols, as well as analyzing of related academic theories. Chapter 3 is creative concept and practice. Through the presentation of personal creative connotation concepts and the shaping of image elements, to create an atmosphere of virtual reality, color and space, and to analyze my creative thinking, media techniques and expression forms. Chapter 4 is the analysis of art works. Through the practice of creation, to analyze and explain the creating processes with 9 pieces art works. Chapter 5 is a conclusion. Through the reviewing of the results from this creation work, I have examined all shortcomings in the creating processes. For the future, I hope to maintain continuously my creative energy.Keywords:Ink Painting, The Shore and Beyond The Shore, Bridge, Appropriation, Heterogeneous Isomorphism, Juxtaposition en_US
dc.description.sponsorship 美術學系美術創作碩士在職專班 zh_TW
dc.identifier 007603123-39904
dc.identifier.uri https://etds.lib.ntnu.edu.tw/thesis/detail/b2c1f5a778ffd5e8389473566c223556/
dc.identifier.uri http://rportal.lib.ntnu.edu.tw/handle/20.500.12235/116364
dc.language 中文
dc.subject 水墨創作 zh_TW
dc.subject 此岸彼岸 zh_TW
dc.subject zh_TW
dc.subject 挪用 zh_TW
dc.subject 異質同構 zh_TW
dc.subject 並置 zh_TW
dc.subject Ink Painting en_US
dc.subject The Shore and Beyond The Shore en_US
dc.subject Bridge en_US
dc.subject Appropriation en_US
dc.subject Heterogeneous Isomorphism en_US
dc.subject Juxtaposition en_US
dc.title 此岸彼岸:鄭明珠橋的意象創作論述 zh_TW
dc.title The Shore and Beyond the Shore:The Imagery of Bridges in Ming-Chu Cheng's Ink Art Creation en_US
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