微物抒寫—馮雯琳彩墨創作論述

Abstract

本文為馮雯琳彩墨作品論述及相關學理研究，透過創作回溯自身生命經驗，探討物件作為創作素材的緣由，從中推敲出背後的心理、哲學、美感等特殊審美經驗。以自然、微物作為心靈抒寫之意象創作，延續這些時間遺留物永恆的存在價值，從奔放地瞬息潑灑，到沉著良久的記憶、思緒梳理，在碎片式的殘影中追尋生命的完形訴說人、物、我的關係與連結。本文分六大部分，第一章為緒論，敘述筆者研究動機、目的、內容方法，與本文提及之重要名詞解釋。第二章從心理學與哲學角度探討物我之間的關係，以及微物造境的時空向度。第三章論述心靈符號的意象構成與重整，提及意識流及記述式繪畫表現手法，並列舉相關藝術作品甫以說明。第四章為個人創作理念與表現形式，探討「抒寫式繪畫創作、「潑墨融合工筆技法」、「幽微空間經營」、「水墨複合媒材創作及應用」。第五章進行個別作品分述。第六章結論。

This thesis is a discussion of Feng, Wen-Lin's color ink paintings and related theoretical research. Through creation, I look back at my own life experience, discusse the reasons why these objects are used as creative materials, from which I deduce the special aesthetic experience behind them such as psychological, philosophical, and aesthetics senses. The image creation with nature and tiny things as the soul expresses the eternal existence value of these relics of time, from the unrestrained and instantaneous splashing, to the long-lasting memories and thought combing, tracing the gestalt of life in the fragmented afterimages Tell to illustrate the relationship and connection between human beings, objects, and me.This thesis is divided into six parts. The first chapter is the introduction, which describes the author's motivation, purpose, content, method, and the explanation of important terms mentioned in this thesis. The second chapter discusses the relationship between object and me from the psychological and philosophical perspectives, as well as the time-space extension of tiny-objects. The third chapter discusses the image formation and reformation, mentions the stream of consciousness and narrative painting techniques, and lists related works of art for illustration. The fourth chapter is about personal creative concepts and forms of expression, discussing lyrical writing and painting, splash ink with realistic technique, subtle space management, and the application of color ink paintings composite media. The fifth chapter discusses individual works. The sixth chapter is the conclusion.