柔境化岩—桂香木彩墨創作論述

Abstract

摘要 本創作研究以柔境化岩創作主題，建構出「陰柔的進取」藝術幻象，意圖轉換傳統岩石圖象符號，以「柔」、「化」解構石頭本質，以東方陰陽哲學、西方集體潛意識心理學及藝術幻象美學學理，穿針引線探討陰柔美學對生命的意義及其價值。進而以筆者童年經驗，對應內心情感投射，以水墨創作表現陰柔力量的多面向。創作則主要以半自動技法結合中國水墨意境及工筆筆墨技法、輔以各種媒材運用，探討如何創作陰陽並濟、剛柔並存的石頭圖象符號、從中描繪水墨柔境化岩的種種視覺意象及象徵。 透過此創作研究除期望達到理論研究及創新繪畫角度之目的，並希冀從而以藝術柔性書寫帶入當今社會上剛性力量充斥的環境，以柔性力量的主體性探討改變社會剛柔失衡的現狀及進一步探討人類所面臨各種剛性負面力量後如何重建和諧社會。 本論文共分五個章節，第一章緒論，說明筆者前言、創作歷程、研究動機與目的、方法與架構及名詞解釋。第二章探討說明「柔境化岩」、二元和諧內在意涵與個體及社會問題，並以美學觀點改善個人及社會。第三章以中外學理分析柔境化岩主題的創作思維與意象構成，並呈現當代水墨畫家的柔境意象建構作品。第四章探討創作分析與闡述、媒材與技巧，及創作系列論述。第五章個人作品解析、第六章作為總結論及談論未來展望。

關鍵字: 柔境化岩、半自動技法、陰柔美學、現代抽象水墨。

Abstract

The creation of the study to “The Soft Environments Influence Hard Rocks” theme, constructed the artistic illusion of "feminine enterprise"。It attempted to transform the traditional rock pictorial symbol to soften and turn the essence of stone, and probed feminine aesthetics to the meaning and value of life by the oriental Yin and Yang philosophy、the western collective unconscious psychology and the artistic illusion aesthetics. It was with the author's childhood experience, corresponded to the heart of emotion projection and by ink creation to show the feminine power of many aspects. The creation was mainly based on semi-automatic techniques combined with Chinese ink painting and Chinese meticulous drawing techniques。It was supplemented by a variety of media use that explored how to create the stone image of the combination of yin and yang , softness and hardness。From which， the author created the painting of the soft landscape in various visual images and symbols. Through this creative study, in addition to the aim of achieving theoretical research and innovative painting， the author hoped to bring the artistic feminine writing to the social environment which was spread over the rigid force today。Furthermore，the author explored the possibility of changing the unbalance social condition and reconstructed a harmonious society。 This paper was divided into five chapters：the first chapter of the introduction explained the author's preface、the creative process、research motives and purposes、methods and structure and noun interpretation. The second chapter discussed the inner meaning of “The Soft Environments influence hard rocks” and harmony in duality、the individual and social problems, and then improved the problems by aesthetical view. The third chapter discussed about creation thinking、and the image composition of the theme by eastern and western academic theory。At the last presented the soft image construction works of contemporary ink painters. The fourth chapter was about the creation analysis and elaboration、the media material and the technique and the creation series discussion. The fifth chapter analyzed the individual works and the sixth chapter as a conclusion to discuss the future prospects。 Key words：The Soft environments influence hard rocks，Semi-automatic technology，Aesthetics of Yin，Modern ink painting。