弗拉基米爾‧佩斯金《c小調第一號小號協奏曲》作品分析與詮釋報告

Abstract

弗拉基米爾．佩斯金（Vladimir Peskin, 1906-1988）是活躍在20世紀的俄羅斯作曲家，在1930年他在紅軍巴拉萊卡琴（Balalaika）樂團擔任駐團排練鋼琴師時，寫作許多高難度技巧的小號曲給多克希澤（Timofei Dokschizer, 1921-2005）到世界各地演奏，因此讓佩斯金的作品在世界廣為流傳，但知名度在當時卻不如阿魯圖尼安（Alexander Arutiunian, 1920-2005）的《小號協奏曲》，隨著蘇聯的解體，許多俄國作曲家的作品才得以流傳世界。 本論文將分為五個章節，第一段章節會解釋筆者的研究動機以及辦法；第二章將整理佩斯金的生平以及他的作品如何在世界廣為流傳；第三章為筆者對於佩斯金《c小調第一號小號協奏曲》的分析段落漢整理；第四章是筆者對於佩斯金《c小調第一號小號協奏曲》的演奏詮釋。最後一個段落為筆者對與整個分析研究以及詮釋報告，並加入自己的觀點做為總結。Vladimir Peskin is a Russian composer active in the 20th century. In 1930, when he was a rehearsal pianist in the Red Army Balalaika Orchestra. He wrote many trumpet solo pieces and concerto with the hard playing skill and nice melody for his friend Timofei Dokshitzer to play around the world. It let Peskin’ s music be widely spread, but not as famous as Alexander Arutiunian’ trumpet concerto. His music is famous with the collapse of the Soviet Union.

This paper will be divided into five chapters. The first chapter is an introduction, and it includes research motivation and research methods. The second chapter introduces the short biography of Peskin and his music style. The third chapter is use to introduce detailed analysis of the music for the concerto. The fourth chapter is use to compares and explanation my opinion of practice and performance interpretation. The final chapter is conclusion.