「臺灣歌曲」之「字調、詞句調」（Words）與「曲調、歌調」（Melody）之美學關係
| dc.contributor.author | 張清郎 | zh_tw |
| dc.contributor.author | Chang Ching-Lang | en_US |
| dc.date.accessioned | 2014-10-27T15:02:56Z | |
| dc.date.available | 2014-10-27T15:02:56Z | |
| dc.date.issued | 2009-05-?? | zh_TW |
| dc.identifier | F3B8378F-85A6-42C7-489F-6CE8A5DFC96B | zh_TW |
| dc.identifier.uri | http://rportal.lib.ntnu.edu.tw/handle/20.500.12235/7360 | |
| dc.language | 中文 | zh_TW |
| dc.publisher | 國立臺灣師範大學音樂學院 | zh_tw |
| dc.relation | (13)，149-200 | zh_TW |
| dc.relation.ispartof | 音樂研究學報 | zh_tw |
| dc.title | 「臺灣歌曲」之「字調、詞句調」（Words）與「曲調、歌調」（Melody）之美學關係 | zh-tw |
| dc.title.alternative | The Aesthetic Relations Between "theTone of Characters" and " the Melody of Songs" in Taiwanese Songs－with Two Songs as Examples: "A Blade Grass," Music by Chanġ Hsüan-Wen, Words by Lin Wu-Hsien and "No Fish at Bottom of Glass" by Lu Chuan-Sheng . | zh_tw |