疫情．控－彭志成水墨創作論述
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2023
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自新冠肺炎蔓延以來，不確定、不穩定感，是這個時代的共感特色。身為藝術創作者，開始思考該畫出何種作品，去真實的反映當代生活及社會現象。此次創作研究是以自身的經驗及對應內心情感投射，觀照現代人在疫情蔓延下生活改變的多種面向，嘗試以社會觀察者的角色，去記錄疫情時代造成的各種變動與波瀾，創作出契合觀者感情與共鳴的作品。以人為主題，呈現疫情肆虐期間人們所遭遇到各種的情況，如強制隔離、實名制、居家檢疫、疫苗接種等，希望以表達紛擾中安身立命的美學境界。每個人所經歷的社會經驗，會造成自身回應社會的方式，而藝術家回應社會的方式，便是以創作來訴說想法。本論文主要架構，共分為五章。第一章：緒論，闡述研究動機與目的、研究範圍與限制、研究方法、名詞解釋。第二章：疫情肆虐下:社會現象的思考與研究。第三章：創作理念思維與形式技法，將針對影響創作的藝術作品進行分析，同時從形式特徵與技法的運用進行分述說明。第四章：創作作品解析，共分四個系列「隔離系列」、「循環系列」、「空間系列」、「日常系列」。第五章：結論，提出未來創作的省思與展望。
Since the spread of COVID-19, uncertainty and instability have been the hallmarks of this era. As an artist, I began to think about what kind of works should be drawn to truly reflect contemporary life and social phenomena.This creative research is based on my own experience and the corresponding inner emotional projection, observing the various aspects of modern people's life changes under the spread of the epidemic, and trying to use the role of a social observer to record various changes and waves caused by the epidemic era, and create works that fit A work of emotion and sympathy for the viewer. Taking people as the theme, it presents the various situations that people encountered during the epidemic, such as mandatory isolation, real-name system, home quarantine, vaccination, etc., hoping to express the aesthetic realm of living in peace amidst the turmoil. Everyone's social experience will result in the way they respond to society, and the way artists respond to society is to express ideas through creation. The main structure of this thesis is divided into five chapters. Chapter 1: Introduction, expounding the motivation and purpose of the research, the content and scope of the research, the research methods, and the explanation of terms. Chapter Two: Academic Basis. Chapter Three: Creative thinking and form presentation, dividedinto four series:"Isolation Series", "Circulation Series", "Space Series", and "Daily Series". Chapter Four: Individual analysis of creative works. Chapter Five: Conclusion, put forward the reflection and prospect of future creation.
Since the spread of COVID-19, uncertainty and instability have been the hallmarks of this era. As an artist, I began to think about what kind of works should be drawn to truly reflect contemporary life and social phenomena.This creative research is based on my own experience and the corresponding inner emotional projection, observing the various aspects of modern people's life changes under the spread of the epidemic, and trying to use the role of a social observer to record various changes and waves caused by the epidemic era, and create works that fit A work of emotion and sympathy for the viewer. Taking people as the theme, it presents the various situations that people encountered during the epidemic, such as mandatory isolation, real-name system, home quarantine, vaccination, etc., hoping to express the aesthetic realm of living in peace amidst the turmoil. Everyone's social experience will result in the way they respond to society, and the way artists respond to society is to express ideas through creation. The main structure of this thesis is divided into five chapters. Chapter 1: Introduction, expounding the motivation and purpose of the research, the content and scope of the research, the research methods, and the explanation of terms. Chapter Two: Academic Basis. Chapter Three: Creative thinking and form presentation, dividedinto four series:"Isolation Series", "Circulation Series", "Space Series", and "Daily Series". Chapter Four: Individual analysis of creative works. Chapter Five: Conclusion, put forward the reflection and prospect of future creation.
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新冠肺炎, 強制隔離, 實名制, 白描, 當代水墨, New Coronary Pneumonia, Compulsory Quarantine, Real Name System, Line Drawing, Contemporary Ink Painting