看不見的微型視窗—細胞系列

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2016

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《看不見的微型視窗—細胞系列》主要是以簡單細胞的形象為基礎,有時先有想法才去創作,有時是先創作才有想法,在初期的發展是純粹的抽象表現主義形式,也就是一種動勢繪畫,但發展到中後期,細胞形象在具象與抽象之間遊走,感性與理性之間掙扎,漸漸變成半抽象的形式,而發展到最後,屬於哪種形式似乎就變得不是那麼重要了。而本研究的重點在於藝術的精神性,也就是內容以及欲傳達的藝術思維。這份藝術思維與細胞所代表的生、老、病、死有關,象徵著生與死,是畫生命也是畫人性! 筆者認為藝術的創作是自由的。因此使用了多種畫風和媒材去表現同一種主題,也就是細胞,進而從創作中認識與體會生死,並探討身為藝術家心理層面的轉換與心境。細胞象徵著生命、動態行為與活力,當然也相對地象徵著大自然下的死亡、靜止與衰敗。創作作品有抽象也有寫實,以抽象表現出純粹的色彩與造型,以寫實描繪出顯微鏡下真實呈現的細胞樣態。顯微鏡下也就是微型視窗的空間,雖然肉眼看不見,但卻不代表不存在,從過去到未來的浩瀚時間洪流中,很多美學思想與觀念不斷地在改變。「一花一世界,一沙一天堂」,這也就是本研究想表達的藝術理念。
"Invisible Miniature Window - Cell Series" was mainly on the basis of the image of cells. Sometimes, the idea was prior to the creation, but sometimes the creation was prior to the idea. The development of my study was purely like the Abstract Expressionism in the early stage that was also called action painting. However, the form of cell creations gradually became semi-abstract patterns between concrete and abstract. Besides, the cell creation series went around the image of emotionality and rationality from the mid to the late stage. Therefore, it isn’t important what form seems to be in the end. Instead, my study focuses on the spirit of art which were the meaning of the content and the artistic thought. The artistic thought of my study symbolized the life and death which was associated with birth, old age, sickness and death. The cell series not only presented people’s live but also painted humanity. I believe that the creation of art is free. Accordingly, I use a variety of styles and mediums to express the theme—cells to understand and experience life and death from creation, and to explore the changes of mind and mood of the artist. The cell was a symbol of life, dynamic behavior and vitality. Moreover, it was a symbol of the death, stillness and decay in the nature. The creative works contain the patterns of abstract and concrete. The works of abstract expressed pure color and shape, and the works of concrete delineated real cells under the microscope. Though the space of miniature window under the microscope is invisible to the naked eyes, it still exists. There are many ideas and concepts of artistic creations changing from the past to the future during the vast torrent of time. The research what I want to express is just like ” To see a world in a grain of sand and a heaven in a wild flower.”

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細胞, 生死, 顯微鏡, 半抽象, 抽象表現主義, Cell, Life and death, Microscope, Semi-abstract, Abstract Expressionism

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