精靈重生:劉秀芬水墨創作論述
dc.contributor | 孫翼華 | zh_TW |
dc.contributor | Sun, Yi-Hua | en_US |
dc.contributor.author | 劉秀芬 | zh_TW |
dc.contributor.author | Liu, Hsiu-Fen | en_US |
dc.date.accessioned | 2023-12-08T07:22:10Z | |
dc.date.available | 2022-06-17 | |
dc.date.available | 2023-12-08T07:22:10Z | |
dc.date.issued | 2022 | |
dc.description.abstract | 對於精靈,人們總有著無盡的想像,特別是潛意識中我們的未竟事務,往往透過夢境讓我們進行補償,夢境中的精靈或許就是筆者潛意識所創造出來的產物。古往今來,歷史上總傳說著許許多多奇異怪誕的生物,中國最古老的一本這樣的奇書便屬山海經了!看著裡面描述的各類奇異生物與精靈,總不免懷疑,我們真的是身處同一個地球嗎?怎麼筆者從來沒有發現這些蹤跡?但愛作夢愛幻想的筆者總在腦中構築著這些精靈的美好烏托邦。無論精靈存在與否,你是否相信萬物皆有靈?抑或是你單純覺得這只是藝術家文學家奇異而美麗的想像,接下來筆者只想帶著觀賞者進入這魔幻而奇異的精靈世界!本章分為五大部分:第一章緒論,內容為創作與研究動機、創作與研究方法及創作論述方法。第二章以心理學、道家美學等相關哲學思想與學理作為創作基底的探析。第三章透過訪談與文獻探討整理多位藝術家描繪夢境與人內在自省的關係發展等相關作品。第四章個人創作解析,將作品分為《精靈系列》與《寶貝系列》探索著藉由創作而轉生的自我。第五章結論,對自我的生命做一個更深層次的紀錄以及對未來自我精進的期許。 | zh_TW |
dc.description.abstract | When it comes to sprites, people are always full of plentiful and marvelous imaginations. We always have many unrealized whishes hidden in the subconscious and try to make up for it in our dreams. Perhaps the sprites are the presenting and emerging and of the author's subconscious. Throughout the ages, there have been lots of legends telling oddish and curious types of creatures. The most representative one in ancient China is the “Classic of Mountains and Seas”. After reading these legends, I can't help but wonder why we have never found these relics and traces. However, the author, with passionate imagination and fantasy, is building a wonderful utopia for these sprites inside her mind. Perhaps this is a wonderland purely coming up with author’s creativity and imagination.Divide the thesis into five chapters. The first chapter is the introduction, introducing the motivation, research method, and background information. The second chapter cites psychology and Taoist aesthetics related philosophy as the basis of research and creation. The third chapter depicts the relationship between dreams and people’s inner introspection by interviewing notable artists and exploring related works. The fourth chapter categorizes the author’s works into 2 parts, which are “Sprite series” and “Baby series”, to explore the reincarnation through artistic creation. In the fifth chapter, the author makes the conclusions, elaborating the essence of author’s life and refining the expectations to the future. | en_US |
dc.description.sponsorship | 美術學系美術創作碩士在職專班 | zh_TW |
dc.identifier | 008603117-41196 | |
dc.identifier.uri | https://etds.lib.ntnu.edu.tw/thesis/detail/9de4b2f82112cfac5279d70c04ed7948/ | |
dc.identifier.uri | http://rportal.lib.ntnu.edu.tw/handle/20.500.12235/118787 | |
dc.language | 中文 | |
dc.subject | 精靈 | zh_TW |
dc.subject | 轉生 | zh_TW |
dc.subject | 神話 | zh_TW |
dc.subject | 山海經 | zh_TW |
dc.subject | 夢境 | zh_TW |
dc.subject | Sprite | en_US |
dc.subject | Rebirth | en_US |
dc.subject | Legend | en_US |
dc.subject | Classic of Mountains and Seas | en_US |
dc.subject | Dream | en_US |
dc.title | 精靈重生:劉秀芬水墨創作論述 | zh_TW |
dc.title | Sprite Rebirth:Liu Hsiu-Fen`s Discussion on Contemporary Ink Painting Art Creation | en_US |
dc.type | etd |
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