莫札特女高音音樂會詠唱調---作品K.486a、K.490、K.505、K.578、K.583五首歌曲之分析與詮釋
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2017
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Abstract
沃夫岡．阿瑪迪斯．莫札特是古典時期重要的作曲家，在音樂史上有舉足輕重的地位，他的創作豐富並涵蓋各種類型，其中，音樂會詠唱調雖不是最為人所熟知，然而從他對此類歌曲創作的數量，就可了解其對音樂詠唱調喜愛的程度。
本論文以莫札特的女高音音樂會詠唱調「夠了！你贏了！...啊!不要離開我」(Basta vincesti…Ah, non lasciarmi, no, K. 486a) 、「已經沒關係了。全都聽到了….親愛的！不用害怕」(Non più.Tutto ascoltai...Non temer,amato bene, K. 490)、「我能把你忘懷嗎？…親愛的！不用害怕」(Ch'io mi scordi di te？…Non temer, amato bene, K. 505)、「偉大的靈魂與高貴的心」、(Alma grande e nobil core, K. 578)、「我去!但是何往？」(Vado, ma dove？
K.583 )五首樂曲為研究主題。
本文共分為五章，分別從研究動機、莫札特的生平、歌劇作品的創作風格、音樂會詠唱調源流與發展及作品類型、再到五首樂曲的創作背景、樂曲分析及演唱詮釋加以研究，綜合前人的文獻、樂譜的分析以及自己的演唱心得，透過對莫札特音樂會詠唱調的研究，除了能使曲子做更深入的理解與發揮，為筆者的聲樂演唱、歌唱教學提供依據外，也期望本文能有拋磚引玉之效，提供日後想習唱或對研究莫札特音樂會詠唱調的人有所助益。
Wolfgang Amadeus Mozart is the important composer in classical period. He had the huge influence in music history. He had wealthy and all styles of creations, although concert aria for soprano is not the famous genre, we can be aware of Mozart's favorite from his wealthy creations. This thesis focuses on the research and interpretation of five concert arias for soprano composed by Wolfgang Amadeus Mozart during the classical period: “Basta vincesti…Ah, non lascirmi, no, K.486a”.“ Non più . Tutto ascoltai…Non temer, amato bene, K.490 ”.“Ch'io mi scordi di te？…Non temer, amato bene, K. 505”.“ Alma grande e nobil core, K.578”. “ Vado, ma dove? K.583”. The thesis consists of five chapters: the introduction gives the motivation, describes the life of Wolfgang Amadeus Mozart and his creative styles of the concert arias, the origin and development of concert arias for soprano, the background information, the analysis and interpretation of five concert arias for soprano. With the references and works analysis, presentation of the major subject-contribution of this thesis, and the study of Wolfgang Amadeus Mozart's concert arias for soprano, this thesis hopes to enhance author's presentation,strengthen teaching alility, and provide a better understanding and recognition of the work of concert arias by Mozart for future researchers.
Wolfgang Amadeus Mozart is the important composer in classical period. He had the huge influence in music history. He had wealthy and all styles of creations, although concert aria for soprano is not the famous genre, we can be aware of Mozart's favorite from his wealthy creations. This thesis focuses on the research and interpretation of five concert arias for soprano composed by Wolfgang Amadeus Mozart during the classical period: “Basta vincesti…Ah, non lascirmi, no, K.486a”.“ Non più . Tutto ascoltai…Non temer, amato bene, K.490 ”.“Ch'io mi scordi di te？…Non temer, amato bene, K. 505”.“ Alma grande e nobil core, K.578”. “ Vado, ma dove? K.583”. The thesis consists of five chapters: the introduction gives the motivation, describes the life of Wolfgang Amadeus Mozart and his creative styles of the concert arias, the origin and development of concert arias for soprano, the background information, the analysis and interpretation of five concert arias for soprano. With the references and works analysis, presentation of the major subject-contribution of this thesis, and the study of Wolfgang Amadeus Mozart's concert arias for soprano, this thesis hopes to enhance author's presentation,strengthen teaching alility, and provide a better understanding and recognition of the work of concert arias by Mozart for future researchers.
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沃夫岡．阿瑪迪斯．莫札特, 女高音, 音樂會詠唱調, Wolfgang Amadeus Mozart, Soprano, Concert Arias