仿生思維運用於燈飾造型設計之創作與研究
dc.contributor | 張柏舟 | zh_TW |
dc.contributor | Zhang Baizhou | en_US |
dc.contributor.author | 賴蘭真 | zh_TW |
dc.contributor.author | LanChenLai | en_US |
dc.date.accessioned | 2019-09-05T03:11:57Z | |
dc.date.available | 不公開 | |
dc.date.available | 2019-09-05T03:11:57Z | |
dc.date.issued | 2009 | |
dc.description.abstract | 本研究主旨在於如何將仿生思維運用於燈飾造形設計中,利用材料與造型,使設計與工藝結合,運用在燈飾的創作上,創作研究方法主要有三大架構: (一)文獻蒐集探討:藉此說明何謂仿生及其相關原理探究分析,再如何 從尋找生物特性,探討其機制。 (二)透過仿生造型思維的彙整與造型原理探究分析,找出在設計過程中 適用的相關仿生設計的解決問題方法,同時,進行日常生活物件中 的燈飾造型創造設計,企圖以自然界中「造型與肌理」轉譯成產品 設計用途與實際效果作為探討。 (三)產品構想的具體表現,將創作用於日常生活的物件,讓“照明“方 式在生活上可以變得更有趣,讓設計的能量落實在生活的目的與使 命。也期待透過設計與作品意象,能喚起觀者對大自然的熱愛與關 懷,讓長期處在城市裡卻懷念大自然的人們,對於“物件“可以有 另一種詮釋與想像,讓「大自然」為創作的原點,構築產品藝術創 作的結果。 | zh_TW |
dc.description.abstract | The thrust of this study is how to form biomimetic thinking applied to the design of lighting, use of materials and shapes, so that combination of design and technology, creative use of the lighting, the creation method has three major structure: (A) collection of literature to explore: to specify what is meant to explore the principle of bionics and related analysis, and then how to search for biological characteristics, to explore its mechanism. (B) thinking through the Department of biomimetic modeling and design principle of the whole into the analysis during the design process to identify the relevance of the application of bionic design methods to solve the problem at the same time, to carry out the daily life of the object model to create the lighting design, to the natural world in an attempt to “shape and texture “to product design to use as actual results and explore. (C) a concrete manifestation of the idea of product will be created for objects of daily life, so that “lighting” in their lives can become more interesting, so that the design of the implementation of the energy of life purpose and mission. Also looking forward to work through the design and imagery, to arouse the audience’s love of nature and care, so that long-term nature in the cities people actually miss the “thing” can be an alternative way of interpreting and imagination so that “Nature” as the creation origin, and build products the result of artistic creation. | en_US |
dc.description.sponsorship | 設計學系 | zh_TW |
dc.identifier | GN0096632111 | |
dc.identifier.uri | http://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22GN0096632111%22.&%22.id.& | |
dc.identifier.uri | http://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/103210 | |
dc.language | 中文 | |
dc.subject | 仿生思維 | zh_TW |
dc.subject | 仿生造型 | zh_TW |
dc.subject | 產品設計 | zh_TW |
dc.subject | 燈具設計 | zh_TW |
dc.subject | biological form | en_US |
dc.subject | product design | en_US |
dc.subject | lighting design | en_US |
dc.title | 仿生思維運用於燈飾造型設計之創作與研究 | zh_TW |
dc.title | The analysis and manifestation of applying the conept of biological form on Lighting design. | en_US |