「都市‧記憶」現今都會結構下的女性意識—黃靖淳創作論述與實踐

dc.contributor莊連東zh_TW
dc.contributorChuang Lain-Dungen_US
dc.contributor.author黃靖淳zh_TW
dc.contributor.authorHuang, Ching-Chunen_US
dc.date.accessioned2020-12-10T03:21:22Z
dc.date.available2020-07-20
dc.date.available2020-12-10T03:21:22Z
dc.date.issued2020
dc.description.abstract書寫本文,筆者將自身與現代女性對於「都市」的情感加以梳理。近年來臺灣女性就業率提升,使得當代女性的地位與思想已與過去不同,但感性、溫柔、包容,這些傳承已久的觀念仍是現代對於女性性格的主觀意識,雖然這是過去傳統對於女性的框架,卻也是自然而然的情緒流露。 筆者的創作中透過絹本細膩的媒材特性,融合當代女性的特質,以現代女性來到都市後,與都市產生的情感聯繫作為創作題材,利用「紙」與「絹」的重疊產生的圖層效果作為創作手法,展現女性在都市中探索所產生的模糊意象。 本文中,筆者首先說明此論文的研究目的與方向,並討論在這項研究中的限制與目前所遇之困難。第二章將敘述以女性的觀察者角度所見的都市景象,透過數據分析與筆者觀察,加以探討女性對於都市所呈現的模糊、朦朧、曖昧、不確定性……等詞彙的感受,透過這樣的情感,筆者嘗試尋找部分藝術家作品與之連結、分析。在第三章中,筆者將透過歸類不同的創作模式與型態,將不同的藝術家加以比較,歸納出相似的創作手法,並加以比較分析其創作手法及呈現的不同形象。第四章,筆者將自身的創作分析,進一步剖析不同媒材的疊合、創作手法的相關性與自身對於都市情感的不確定性。zh_TW
dc.description.abstractThrough writing this essay, the author hopes to organize city's feelings from those modern urban women. The increase in the employment rate of the women in Taiwan has made the status and ideas of contemporary women different from the past, but the long-held concepts of sensuality, tenderness and tolerance are still the modern subjective consciousness of female personality. Although this is the traditional framework for women, it is also a natural emotion. In the author's creation, the delicate media characteristics of silk are used to integrate the characteristics of contemporary women. After the modern women come to the city, the emotional connection with the city is used as the theme of creation. Using the layer effect produced by the overlapping of paper and silk as a creative technique, it shows the vague image produced by women exploring in the city. In this article, I first explain the research purpose and direction of this essay, and discuss the limitations in this research and the current difficulties encountered. The second chapter will describe the urban scene seen from the perspective of female observers. Through data analysis and author's observation, it will explore women's feelings about the vague, hazy, ambiguous, uncertain ... and many others. The author tried to find the connection between some of the artist’s works and analyze it. In Chapter three, the author will compare different artists by categorizing different creation modes and types, sum up similar creation techniques, and compare and analyze their creation techniques and different images presented. In the fourth chapter, the author explains her own creation, as well as analyzes the superposition of different media, the relevance of creative methods and his uncertainty about urban emotions.en_US
dc.description.sponsorship美術學系zh_TW
dc.identifierG060560011T
dc.identifier.urihttp://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22G060560011T%22.&
dc.identifier.urihttp://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/114698
dc.language中文
dc.subject女性意識zh_TW
dc.subject都市zh_TW
dc.subject圖層zh_TW
dc.subject絹本zh_TW
dc.subject模糊zh_TW
dc.subjectFemale Consciousnessen_US
dc.subjectCityen_US
dc.subjectLayeren_US
dc.subjectSilken_US
dc.subjectFuzzyen_US
dc.title「都市‧記憶」現今都會結構下的女性意識—黃靖淳創作論述與實踐zh_TW
dc.titleMetropolis & Memory The Female Awareness Under the Urban Structure of Today’s Society — Creative Theories and Practices of Huang Ching-Chunen_US

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