1960年代台語諜報片之敘事與符碼研究

Abstract

本文的研究範疇主要是以現存於國家電影資料館中的台語諜報片為基準，以「敘事理論」解析台語諜報片中的敘事結構、內容、人物等，並以「符號學」相關的理論與概念為輔，探究其電影鏡頭中的意象與影象背後所指涉的文化符碼，例如電影中有特寫許多各種「服裝」、「造型」和「武器」鏡頭等，都有其表象意涵與深層意涵，而影片中男女性別關係(階級、愛情觀等)也是著重的焦點之一，藉由主客體的置換，詮釋出1960年代台語諜報片中的敘事策略與電影圖像中文化符碼的意涵。台語電影雖是代表台灣時代的另一種風情與轉變的社會紀錄，研究者認為可以擴大研究台語電影的深層意涵，讓時人透過此研究能更深入了解台語諜報片在台灣影壇中的重要性和獨特性，以豐富台語電影研究的深度與廣度，也希冀未來能夠廣泛引發更為深入的討論與探索。

This study applied narrative theory to analyze the narrative structure and content of Taiwanese-language spy films made during the 1960s by using existing copies archived by the Taiwan Film Institute. Supplementary analysis using semiotic theories and concepts was performed to decode the symbols in these films (e.g., camera shots, images, characters, facial expressions, slogans, and dialogue), understand their specific meanings in the films, and decipher the cultural codes embodied in the images. In addition, the critical film element of gender relationship (e.g., that in social class and views on relationship) was analyzed. Displacement of the subject and object was employed to identify the meanings of the cultural codes embedded in the film images. Although Taiwanese-language films were made to record the social lifestyles and conditions of earlier times, the insightful analysis of Taiwanese spy films in this study can increase the understanding of their significance and uniqueness in the history of Taiwanese cinema.