原始‧意象 達悟、魯凱、排灣族的力與美

Abstract

現代藝術思潮發展的方向是多元且複雜的，本研究旨在針對台東縣境內彌足珍貴卻即將消失排灣、魯凱、達悟族群的傳統原住民原始藝術文化，以油畫創作的方式來呈現，肯定傳統文化價值觀並轉化為現代藝術創作的源泉。創作方向主要以排灣、魯凱、達悟族傳統文化、神話及祭典為根據，將原住民神話故事題材與人物重新塑造，以研究者的油畫創作呈現原住民部落文化中的力與美，體現原住民文化之美。 以台灣原住民為創作題材之繪畫作品日漸趨多，其中亦不乏精采之作，然而能夠真正深入並了解原住民文化且以系列完整呈現方式之創作者畢竟不多，因此在創作題材的深度及廣度上，創作者用自小生長，最熟悉的這塊土地為創作背景，透過藝術創作的角度來記載東台灣原住民過去生活文化，並抒發原住民的心聲，讓同樣身處在台灣這塊土地的我們，提到台灣的原住民文化時，無法忽略其光輝，並且更能夠欣賞多元文化之美；本論文共分為五個章節，首先闡述創作之動機與範圍，其次希望先由原始藝術對西方藝術所造成的影響做一探討，並配合研究者創作過程中對排灣、達悟、魯凱族等族群文化、神話故事、田野調查等等資料及素材之收集，而創作形式與表現方法則說明在創作的過程中所使用的技法與素材，最後以創作者東台灣原住民系列油畫創作作品之解析，相互印證，以探究現代藝術創作之多元性並對東台灣原住民生活與情感有更深入的了解，因此本系列的作品類型主要包括排灣族即將消失的，百步蛇的子孫：排灣族紋手老人系列、純潔的百合花：魯凱族、飛魚的故鄉：達悟族等三大部分，期望將取材於台灣這塊土地的原始藝術養分與現代藝術對話，畫出原住民對家鄉深厚的感情，展現原住民堅韌的生命力、人文風景、族群的融合認同，並呈現不同時空下台灣原住民隨時代背景而成長的內在意象。The thought development of the direction in Modern Art is diversifying and complicated. This study aims to the precious traditional aboriginal Art cultures--- including Paiwan Tribe, Rukai Tribe and Tao Tribe are getting vanish. With the creative oil paintings to present confirming the traditional cultural value and transfer the fountainhead of creation in Modern Art. The mainly creative direction is in according to the Paiwan, Rukai and Tao Tribe traditional mythologies and sacrificial rites of gods in which to reshape the aboriginal mythologies and characters. Presenting and experiencing the power and beauty of aboriginal cultures by the oil paintings of researcher. There are more and more creative material painting works appeared which based on aboriginal. They also have some good pieces, however; few works could present truly in complete series, and realize the cultures of aborigines deeply. Therefore, as a researcher who grew up and was familiar with this land. Adapting with a deep-going and scope creative material for a background. In addition to the shapes of creative can record Taiwan aborigines past living cultures and express aboriginal heartfelt wishes as well. And also the people who live together with aborigines in the same land could not neglect their brilliance when mentioned to the cultures aborigines of their own. Besides, we can appreciate the beauty of multi-cultures.

This thesis is classified in five chapters. The beginning is to explain the motivation and domain. Then expecting to research the influence of original art versus western art. Coordinating with researcher’s creative procedure in collecting data and material above three Tribes, including their cultures, mythologies and fields works …etc. The creative form and expressional manners illustrate the skills and sources during the creative procedure. At end of thesis, the researcher used the analysis of eastern Taiwan aborigines series oil paintings to verify each other. For discovering the diversified Modern Artistic creation and further understanding the lives& emotions of eastern Taiwan aborigines.

Therefore, the kinds of works in series are mainly including the property will be disappeared instantly: the descendants of Hundred-pace pit viper , and the hand-tatoo old man series represent Paiwan Tribe, the pure lily represent Rukai Tribe, and the hometown of flying fish represent Tao Tribe in all three parts.

Hope to draw material from this land where has original artistic nutrient and modern artistic dialogue. Drawing out the deep sentiment to aboriginal hometown with aboriginal tough& tensile of life power, humanities, tribes mix together and recognizing. And also can present the inner meaning of aboriginal growth in following the different era and times background.