南管長潮陽春之音樂研究

dc.contributor呂錘寬zh_TW
dc.contributorLu, Chui-Kuanen_US
dc.contributor.author陳鈺錡zh_TW
dc.contributor.authorCHEN, YU-CHIen_US
dc.date.accessioned2019-09-05T11:53:56Z
dc.date.available2016-02-22
dc.date.available2019-09-05T11:53:56Z
dc.date.issued2016
dc.description.abstract在序論部分將指套裡面的【長潮陽春】與南管曲裡面的【長潮陽春】來做為參照、相比較。撰寫分析的曲子則以《弦管古曲選集.八》中的【長潮陽春】樂曲長度為31~40小節與41~50小節,曲子有:早起日上、聽見杜鵑、記當初、中秋月、聽見風聲、一年光景(收慢尾)、聽見門樓、陳三言語、獨守深閨、娘子在店、恨我命怯、若是鴻儒、小妹聽、幸逢元宵、馬上郎君、誰人出世、聽見簷前、躡步走出、誰人親像、元宵時、為你暝日、燈花開透、焚香祝禮,共計二十三首。決定以哪種版本的曲簿的使用也做概略式的說明,緊接著主要論述【長潮陽春】曲調方面,例如:調式、拍法、曲調系統…等。此論文所著重的部分以【長潮陽春】裡頭的樂曲以起音的不同做為劃分,著重在主腔以及非主腔的佈局分析。zh_TW
dc.description.abstractIn this thesis, different types of Chang-Chao-Yang-Chun in Nan-Kuan Music are involved by discussing typical motives and atypical forms. In the beginning, the introduction references to two different types of Nan-Kuan Music. And then, the most important part is an analysis of Chang-Chao-Yang-Chun through analysis its motives processing. Especially, this analysis classify Chang-Chao-Yang-Chun’s songs with typical and atypical motives, which cause a song’s developments. This thesis focus on this motives and elements. Thus the present paper aims to classify and to summarize of Chang-Chao-Yang-Chun.en_US
dc.description.sponsorship民族音樂研究所zh_TW
dc.identifierG060091006M
dc.identifier.urihttp://etds.lib.ntnu.edu.tw/cgi-bin/gs32/gsweb.cgi?o=dstdcdr&s=id=%22G060091006M%22.&%22.id.&
dc.identifier.urihttp://rportal.lib.ntnu.edu.tw:80/handle/20.500.12235/106963
dc.language中文
dc.subject長潮陽春zh_TW
dc.subject南管音樂zh_TW
dc.subjectChang-Chao-Yang-Chunen_US
dc.subjectNan-Kuan Musicen_US
dc.title南管長潮陽春之音樂研究zh_TW
dc.titleThe Research of Chang-Chao-Yang-Chun in Nan-Kuan Musicen_US

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