南管長潮陽春之音樂研究

Abstract

在序論部分將指套裡面的【長潮陽春】與南管曲裡面的【長潮陽春】來做為參照、相比較。撰寫分析的曲子則以《弦管古曲選集．八》中的【長潮陽春】樂曲長度為31~40小節與41~50小節，曲子有：早起日上、聽見杜鵑、記當初、中秋月、聽見風聲、一年光景（收慢尾）、聽見門樓、陳三言語、獨守深閨、娘子在店、恨我命怯、若是鴻儒、小妹聽、幸逢元宵、馬上郎君、誰人出世、聽見簷前、躡步走出、誰人親像、元宵時、為你暝日、燈花開透、焚香祝禮，共計二十三首。決定以哪種版本的曲簿的使用也做概略式的說明，緊接著主要論述【長潮陽春】曲調方面，例如：調式、拍法、曲調系統…等。此論文所著重的部分以【長潮陽春】裡頭的樂曲以起音的不同做為劃分，著重在主腔以及非主腔的佈局分析。

In this thesis, different types of Chang-Chao-Yang-Chun in Nan-Kuan Music are involved by discussing typical motives and atypical forms. In the beginning, the introduction references to two different types of Nan-Kuan Music. And then, the most important part is an analysis of Chang-Chao-Yang-Chun through analysis its motives processing. Especially, this analysis classify Chang-Chao-Yang-Chun’s songs with typical and atypical motives, which cause a song’s developments. This thesis focus on this motives and elements. Thus the present paper aims to classify and to summarize of Chang-Chao-Yang-Chun.