從二次戰後探討臺灣女性作曲家的創作發展

Abstract

臺灣音樂自西樂引進以來，歷經幾次政權移轉及融合。中國音樂及原住民種族音樂經葡萄牙、西班牙、日本等不同音樂類型的影響，戰後一批隨中央政府播遷來台的音樂家以及在日據時期赴日習樂的音樂家們共同努力耕耘之下，落實音樂教育、積極培育國內音樂風氣及建立可供音樂家們發表與展現之音樂環境。在二次戰後愈來愈開放的國內藝文環境下，在錯綜複雜的文化衝擊中，音樂、美術、戲劇、文學等藝文活動發展主軸隨著社會變化蓬勃發展，漸漸有女性作曲家自國外學成歸國嶄露頭角，各個獨樹一幟、懷有理想、擁有各種不同想法及風格，歐洲的現代化作曲也影響國內音樂至深，而這些作曲家們身處於此潮流環境，將中國、臺灣音樂與所學融合、內化。六位世代不同之女性作曲家，其作品涵括類型廣泛，本論文從其生平簡介及作品風格來探討分析，並在這多元的文化環境下以何種手法表達自我之意識、想法來進行創作現代音樂。

Ever since the western music has been introduced to Taiwan, the country has witnessed several transitions and fusions of political power. Chinese tradition music and aboriginal music have been influenced by different types of music from Portugal, Spain and Japan etc. Through the efforts from a bunch of Chinese musician who followed the KMT government and came to Taiwan after the war and those who studied music in Japan during the Japanese colonial period, the education of music, the development of music and the environment for the performances and showcases have been realized.After the war, the atmosphere of art has developed significantly, and with the complicated cultural shock, there were dramatically more artistic events taking place than before, such as music, art, drama and literature. More and more female composers have finished their studies and come back to Taiwan, gaining fame for themselves. They all have distinctive styles with different ideals and thoughts. The modern composing in Europe has a great impact on our music, and those composers being in such trends, they integrate their studies with Chinese and Taiwanese music and absorb them well.I will briefly introduce the life of six female composers from different generations before I start to analyze their music styles, discussing their approaches of expressing self awareness and thoughts in the multi-stimulation and how to create modern music from them.