大地吻痕-賴信平山紋岩語彩墨探討

Abstract

本研究從筆者對山水有著特殊的情感出發，以山石的肌理紋路做為題材，探討山水創作組織與表現的面向。論文共分六章，依序為 第一章：緒論。第二章：山水構成語符解析。第三章：山水創作之建構。第四章：創作的理念與實踐規劃。第五章：作品分析。第六章：結論。 本論文以岩石因地質、地貌的變動，而產生豐富多變的紋理，作為研究和創作的題材。創作時也經常會描繪到海，但是為了使研究主題單一，因此本研究針對「山石」的皴紋及肌理作為探索。 從岩石的造型、動勢、產生的紋理，用筆所產生的各種筆觸，進而論及皴法、石法等各種山石的表現元素；用色的瑰麗斑爛，進而論及古代水和墨及膠彩的交互作用，進行梳理。 本文藉由中國水墨畫的意境美學內涵，將創作者對物象的認知、感受或想像，經由理念、繪畫形式和表現技法的轉換，而營造出畫境。本文主要是在地質地貌特徵和山水畫中尋求一個結合點，將種種富有特徵的地質地貌和山水畫進行有機的鏈接，作為探索中國山水畫皴法的根據。瞭解山水畫的生活來源、藝術轉換、創作方法，期望達到豐富理論研究和創新繪畫角度的目的。並且驗證了山水畫皴法的形成與自然特徵結構存在著內在的關係，經由地質學中的地質特徵理論引入到山水畫的學習中，用此理論來豐富筆者山水畫的實踐與發展。This dissertation has its starting point focused on the particular emotion of landscape, adopting the textures by using light and dry ink strokes of mountain stone as the theme, discussing landscape creation and organization and expression style. The dissertation consists of 6 chapters: by sequence are Chapter 1: Preface; Chapter 2: Landscape structure and language analysis; Chapter 3: Creation of aesthetic constructivism of the land of kissing mark; Chapter 4: New ground and practical planning of landscape creation of the land of kissing mark; Chapter 5: Series work analysis of Hill Stripe and Rock Words; Chapter 6: Conclusion. This dissertation is based on rocks which generate rich and changing stripe as the result of the shift of landforms to become a subject of research and creation. Ocean is often a depicting subject in creation; But to focus on study topic, this dissertation will explore the method of showing shades and textures by using light and dry ink strokes for mountain stone. From the style and momentum of mountain stone of stripe with pen effect generated by using a pen to illustrate the method of showing the shades, stone and display elements of other mountain stone; with color of rose glory to illustrate interaction between ancient water ink and Toyoga , and to be placed in order. This dissertation is adopting artistic conception of aesthetics in Chinese water ink painting; It has transformed creator’s recognition, sensation or imagination of objects to generate painting environment through conception, painting style and display skills. The dissertation is mainly looking for a joint between geological characteristic and landscape painting; And linking rich characteristics of geology, landforms and landscape painting to explore the base of method of showing the shades of the Chinese landscape painting. Understand the life source of landscape painting, art transform and creation method to anticipate profound theory research and creative painting angle. It also testifies the forming method of showing the shadows of the landscape painting and interior relationship of natural characteristics and structure through geological characteristic theory to lead into the learning of landscape painting; The theory is used to enrich practice and development of landscape painting.