吳瑞呈笛協奏曲《雲州追想》分析與詮釋

Abstract

《雲州追想》為1996年由吳瑞呈創作的竹笛協奏曲，樂曲使用臺灣傳統音樂南北管素材，包含南管曲牌【短相思】、【北青陽】；北管唱腔【彩板】、【四空門】、【緊中慢】。 樂曲素材來自於作曲者自小對布袋戲的喜愛，尤其是1970年紅遍大街小巷的黃俊雄布袋戲〈雲州大儒俠〉，戲中的角色主題歌使用南北管素材改編，作曲者便採用其南北管素材創作了《雲州追想》笛協奏曲。 本研究之文獻以三個面向來探討，分別為：布袋戲〈雲州大儒俠〉之相關文獻、《雲州追想》創作之南北管素材相關文獻、相關訪談紀錄。筆者將所蒐集到的文獻與樂曲相連結，並透過作曲家訪談，將其成長背景、學習歷程、職業生涯、創作歷程，以及樂曲的創作動機與音樂思想彙整，再進行樂曲分析與詮釋。 《雲州追想》運用了臺灣傳統音樂素材，此類型的協奏曲極具特色，不僅發揮臺灣音樂的獨特性，更保有笛子本身的特長。臺灣的笛樂作品日益蓬勃，需要我們致力的宣揚與傳承，期盼未來能創作出更多臺灣笛樂作品，使傳統音樂永續的發展。“Yunzhou Nostalgic Melody” is a bamboo flute concerto created by Ruey-chen Wu in 1996. The musician uses Taiwanese traditional music such as “Nanguan” and “Beiguan” materials, including Nanguan Qupai “Duan siang sih”,“Be cing yang”, Beiguan vocal “Cai ban”, “Sih kong men”, “Jing jung man”. The Inspiration comes from the composer's infatuation of the hand puppet show since childhood, especially the “Yunzhou Daru Xia” of the famous “Huang Jun Xiong puppet theatre” in 1970s. The theme song of the main character in the play is adapted from the “Nanguan” and “Beiguan” tunes, affected by the theme song, the composer adopts “Nanguan” and “Beiguan” feature and created the “Yunzhou Nostalgic Melody” flute concerto. The study would analysis the concerto in three aspects, which involves: the related literature of the Puppet Theatre-“Yunzhou Daru Xia”, related literature regarding “Nanguan” and “Beiguan” features used in “Yunzhou Nostalgic Melody”, last but not least, the author actually interviewed the composer Mr. Wu, Ruey-chen. The interview not only links the mentioned literatures with the great concerto, but also helps us to understand the life background, studying process, career, composing process, and the motivations of the composer. All these process allows the author to understand the ideological beliefs of the composer to conduct a more thorough analysis and interpretation for the concerto. This composer applied the unique traditional Taiwanese music to complete the concerto, not only displayed the uniqueness of Taiwanese music, but also to retain the special features of the flute itself. Flute works of Taiwan have been increasingly flourishing , what we need to do is to promote and inherit them. Our goal is to produce more and more Taiwanese music and make traditional music even sustainable.