馬水龍《梆笛協奏曲》作品分析與指揮詮釋研究

Abstract

《梆笛協奏曲》創作於1981年，馬水龍老師以國樂器「梆笛」為主奏、西洋管弦樂團為伴奏，創作了這首大型協奏曲。本曲於同年10月舉辦之「第一屆中國現代樂展」首演，由張大勝(1934-2015)教授指揮臺北世紀交響樂團、陳中申(1956- )教授演奏笛子，引起轟動。此後20多年來，已經先後在加拿大、美國、韓國、德國、法國等地演出，也被中國廣播公司選為1980-1990年代間的整點報時音樂，深植人心。 筆者自幼習笛，曾於大學畢業音樂會中演出《梆笛協奏曲》第一樂章。現擇定以《梆笛協奏曲》為主題，希望透過一介「學笛子的指揮」之身分，針對這首劃時代的名曲，進行更深入的樂曲分析及指揮詮釋探討與研究。從研讀、排練到演出，筆者除了對馬老師的音樂創作理念有了更深的理解外，更深深體認到瞭解傳統音樂之必要，與傳承民族音樂之使命。

“Concerto for Bamboo Flute and Orchestra” was composed in 1981; Prof. Shui-Long Ma featured the Chinese bamboo flute as the solo instrument, accompanied by the symphony orchestra. The piece was premiered at The First China Contemporary Music Festival in October 1981 by the Taipei Century Symphony Orchestra, under the baton of Prof. Ta-Sheng Chang (1934-2015). The bamboo flutist was Prof. Chung-Shen Chen (1956- ). This piece was very well received and continued to receive performances over decades and around many countries, including Canada, United States, Korea, Germany, and France. The opening theme of the piece was also selected by the Broadcasting Corporation of China (BCC) as its theme music between 1980-1990s. The author has learned Chinese bamboo flute for over fifteen years and has performed this piece in her college graduate recital. As a conductor and a bamboo flutist, this dissertation focuses on the form and analysis as well as the conducting interpretation. From the preparation of score study, rehearsals to the performance, it is not only significant to deepen the author’s understanding of Prof. Ma’s musical ideas but also in an attempt to acquire the breadth and wealth of the traditional Chinese music.