巴赫《第五號無伴奏大提琴組曲》研究與詮釋

Abstract

本文分析《巴赫第五號無伴奏大提琴組曲》並探討可行之詮釋。首先講述《六組巴赫無伴奏大提琴組曲》的創作背景和作曲家的風格與歷史定位，再聚焦於《巴赫第五號無伴奏大提琴組曲》的特色及重要性，且一一介紹組曲中所出現的曲種。文本的後半以樂曲分析與詮釋為主，將樂曲架構、和聲、及音樂細節作深入探討，並依據樂曲分析來提供詮釋上的可能性。同時我們比較特殊調音版本與標準定弦版本的差異，並提供大提琴家們對於不同版本之見解。This thesis analyzes “J.S. Bach’s cello suite no.5 in c minor, BWV 1011” and discusses the possible interpretations. The first half of this thesis begins with the background of J.S. Bach’s cello suite, presenting Bach’s compositional style and historical position. Then, it focuses on the characteristics and importance of “J.S. Bach’s cello suite no.5 in c minor, BWV 1011”, introducing different types of dance music in the suite. The second half of the thesis emphasizes music analysis and interpretation. It elaborates on music structure, harmony, and other relevant topics. Based on these music analyses, it delivers possible interpretations for readers. Furthermore, the thesis compares scordatura and the standard tuning version of this piece, providing different cellists’ thoughts about these two versions.