時.光-繪畫創作研究
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2022
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Abstract
本創作研究探討著筆者自2018年至今的創作內容與歷程,以「時‧光」系列為主要討論。筆者藉由陽光的啟發,將其視為不變的精神象徵,系列創作旨在表現光與每個當下時空的交互關係,以及畫面中光的獨特性隱喻和氛圍,「時」指的是當下的現實時空、瞬間;「光」則是陽光、永恆的意象。而「時光」這個名詞亦是代表人生的光陰、時間、心靈風景,和筆者所想傳達的理念契合,透過藝術創作表達「當下即是永恆」的人生觀。論文的撰寫架構共分為五章,摘要如下:第一章:緒論。敘述研究動機與目的,內容範疇與方向,以及方法與實踐。第二章:光與色和藝術轉化。為創作學理文獻分析,包含光色理論、哲學參考,以及藝術史上關於外光的研究。第三章:穿越時空的永恆之光。闡述光的歷史與精神之表現,以及陽光意象的建立。第四章:「時‧光系列」的創作實踐。說明創作理念與內容形式,媒材與技法,以及系列作品之解析。第五章:結論。為創作研究之總結與感想。
This creative research explores the author's creative content and process since 2018, with the "Time Light" series as the main discussion. Inspired by sunlight, the author regards it as an unchanging spiritual symbol. The series of creations aim to express the interaction between light and each present time and space, as well as the unique metaphor and atmosphere of light in the picture. "Time" refers to the present , the instant of reality ; "light" is the image of sunshine and eternity. The term "time" also represents the lifetime, time, and spiritual landscape of life, which is in line with the concept that the author wants to convey, expressing the outlook on life that"the present is eternity" through artistic creation. The writing structure of the paper is divided into five chapters, the abstract is as follows: Chapter 1: Introduction. Describe the research motivation and purpose, content scope and direction, method and practice. Chapter 2: Light , Color and Artistic Transformation. Analysis of the creation of theoretical literature, including light and color theory, philosophical references, and research on outside light in the history of painting. Chapter3: The eternal light that travels through time and space. It expounds the history of light and spiritual manifestations, as well as the establishment of the image of sunshine.Chapter 4:The creative practice of"Time.Light Series". Explain the author's creative concept ,content and form of creation, the medium and technique, and the analysis of the series of works. Chapter 5:Conclusion. Summary and reflections on creative research.
This creative research explores the author's creative content and process since 2018, with the "Time Light" series as the main discussion. Inspired by sunlight, the author regards it as an unchanging spiritual symbol. The series of creations aim to express the interaction between light and each present time and space, as well as the unique metaphor and atmosphere of light in the picture. "Time" refers to the present , the instant of reality ; "light" is the image of sunshine and eternity. The term "time" also represents the lifetime, time, and spiritual landscape of life, which is in line with the concept that the author wants to convey, expressing the outlook on life that"the present is eternity" through artistic creation. The writing structure of the paper is divided into five chapters, the abstract is as follows: Chapter 1: Introduction. Describe the research motivation and purpose, content scope and direction, method and practice. Chapter 2: Light , Color and Artistic Transformation. Analysis of the creation of theoretical literature, including light and color theory, philosophical references, and research on outside light in the history of painting. Chapter3: The eternal light that travels through time and space. It expounds the history of light and spiritual manifestations, as well as the establishment of the image of sunshine.Chapter 4:The creative practice of"Time.Light Series". Explain the author's creative concept ,content and form of creation, the medium and technique, and the analysis of the series of works. Chapter 5:Conclusion. Summary and reflections on creative research.
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光, 時間, 永恆, 精神, light, time, eternity, spirit