德布西《貝加馬斯克組曲》與《版畫》樂曲分析與詮釋

Abstract

克勞德・德布西（Claude Achille Debussy, 1862-1918），為印象樂派最重要的法國作曲家之一，他獨特的創作技法，跳脫過去德奧音樂和聲與調性的規範，開創二十世紀初的法國鋼琴音樂色彩。本文以德布西早期鋼琴作品《貝加馬斯克組曲》與成熟期鋼琴作品《版畫》為例，探討德布西的音樂風格之特色。本論文分為五個章節，第一章緒論，第二章德布西的生平概述，第三章為《貝加馬斯克組曲》樂曲分析與演奏詮釋，第四章為《版畫》樂曲分析與演奏詮釋，第五章為結論。Claude Achille Debussy (1862-1918), one of the most prominent French composers of Impressionism in music, utilized unique composition techniques and broke away from the traditional German-Austrian harmonic and tonal music norms, pioneering the vibrancy of the early 20th century French piano music.This paper uses Debussy's early piano composition, “Suite Bergamasque,” as well as his mature piano composition, “Estamples” as examples to discuss and explore the characteristics and elements of Debussy’s musical style. This paper is composed of five chapters, the first chapter is an introduction, the second chapter focuses on an overview of Debussy’s life, the third chapter analyzes and provides an interpretation of “Suite Bergamasque,” the fourth chapter analyzes and provides an interpretation of “Estamples,” and the final fifth chapter is the conclusion.