「夢諭」- 從武滿徹晚期管絃樂作品探討「夢」的詩意形象及其音樂語言
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2008
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亞洲當代的作曲家武滿徹（Toru Takemitsu, 1930-1996），從法國音樂的淵源下一脈相承，而後回頭尋找傳統的東方元素，並創發自己獨特的音樂語言，從1977年《群鳥降臨星形庭園》（A Flock Descends into the Pentagonal Garden）開始，其晚期一系列管弦樂作品中，多涉及與夢相關的主題，創作出一系列如夢境般的作品，堪稱當代音樂界的夢境大師。
除了音樂語言的法國傳統，在諸多的線索當中顯示了武滿徹在人文思想上也同樣深受法國哲學心理學家加斯東‧巴舍拉（G. Bachelard, 1884-1962）的影響，尤其在於「夢想」與「物質想像」等層面上，深刻的吸收了這些哲學思維，成為音樂創作上的文化根源。
研究者試圖借巴舍拉「夢想」的詩學視野，以武滿徹身為一位創作者本身的經驗世界角度切入，並輔以音樂歷史的脈絡，探討一位作曲家在創作歷程中，形塑作品的各個層面與「夢想」的緊密關係，武滿徹音樂中的夢想世界所欲揭露者為何？並透過音樂分析探尋創作背後夢想的詩意形象如何轉化為音樂的語言？
Toru Takemitsu (1930-1996), a contemporary Japanese composer, influenced by French music tradition, discovers oriental element to create unique music language himself. Since his work, A Flock Descends into the Pentagonal Garden (1977), he creates a series of orchestra works with the topic of dream. Besides French music language tradition, Takemitsu is deeply influenced by French philosopher G. Bachelard(1884-1962) in terms of artistic ideas, particularly the theme of “reverie” and “imagination de la matière.” He absorbs Bachelard’s philosophical ideas into his music creation. Researcher want to discuss the processes of music creation have close relationship with reverie through Bachelard’s point of view of poetic. This thesis focuses on the idea of reverie in Takemitsu’s music creation through Bachelard’s poetic philosophy so that Takemitsu’s world of creation can be revealed. Besides, I am curious how Takemitsu transform the poetic image and creates his music language in his works with the perspective of music analysis.
Toru Takemitsu (1930-1996), a contemporary Japanese composer, influenced by French music tradition, discovers oriental element to create unique music language himself. Since his work, A Flock Descends into the Pentagonal Garden (1977), he creates a series of orchestra works with the topic of dream. Besides French music language tradition, Takemitsu is deeply influenced by French philosopher G. Bachelard(1884-1962) in terms of artistic ideas, particularly the theme of “reverie” and “imagination de la matière.” He absorbs Bachelard’s philosophical ideas into his music creation. Researcher want to discuss the processes of music creation have close relationship with reverie through Bachelard’s point of view of poetic. This thesis focuses on the idea of reverie in Takemitsu’s music creation through Bachelard’s poetic philosophy so that Takemitsu’s world of creation can be revealed. Besides, I am curious how Takemitsu transform the poetic image and creates his music language in his works with the perspective of music analysis.
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武滿徹, 夢與夢想, 靈感與創作歷程, 管弦樂, 音樂分析, Toru Takemitsu, Rêve and Reverie, Inspiration and process of Creation, Orchestra Music, Music Analysis