小澳門—梁偉立版畫創作論述
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Date
2017
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摘要
本創作研究主題為「小澳門」，主要在探討筆者生長的澳門生活環境變遷與自身心態的改變，藉由凸版畫創作，表達自我的反思、文化認同與和追求幻想的美好生活環境的意象。澳門現在城市環境缺乏安全感，部分民眾的價值觀扭曲，不斷被外來文化入侵無法維持本土文化核心價值問題等，筆者透過創作，在過程中不斷反思與探討澳門居住環境的不平衡感，從而對澳門產生不同的想法，進而創作一系列自己所幻想的美好生活環境的意象。
本論文架構分為五個章節，摘要如下:
第一章為「緒論」，闡述本創作研究的動機及目的，研究方法及範圍，研究架構，與名詞釋義。
第二章為「學理基礎」，包括城市生活環境相關的心理描述，城市生活環境的美學探討，以及藝術家對生活環境議題的表現。
第三章為「創作研究實踐」詮釋與分析創作系列作品之創作理念，創作內容與形式表現、版畫的媒材與技法等。
第四章為「作品解析」，詳細闡述每件作品之創作理念、作品的內容形式與技法表現。
第五章為「結論」檢視創作目的，創作檢討心得與未來的展望。
關鍵字：小澳門、生活環境、凸版版畫、文化認同。
Abstract The title of this discourse is “Little Macau.”It reveals and reflects the changes of the living environment of my life in Macau, and the changes of my inner world as well.Through creating relief prints, I want to discuss self-reflections, cultural identities, and searching for fantastic beautiful living environment. I feel nowadays the city of Macau lacks a sense of security; some people have deviant social values, and the citizens are not able to protect or maintain our cultural core value, etc. In the process of creating artworks, I try to reflect and explore the imbalance of the living environment of Macau.In the end, I am able to form a different view toward Macau, and present a series of imagery of fantastic beautiful living environment. There are five chapters in the discourse: Chapter 1 is the “Introduction,” which covers the motivation, purpose,methodology, research structure, and the terminology. Chapter 2 is the “Theoretical Basis,” which discusses the psychological description and the aesthetic about the living environment, as well as my concern of the living environmental issues. Chapter 3 is the “Creation Practice,” which includes the overall creative concept,and discusses the contents, expression forms, printmaking techniques, and materials. Chapter 4 is the “Interpretation of Creation,” which explains the creative concept for individual artworks, and further analyzes the contents, forms, and techniques. Chapter 5 is the “Conclusion, “which reviews the creative goals and achievements,and discusses the perspectives of the future. Keywords: little Macau, living environment, relief prints, cultural identities.
Abstract The title of this discourse is “Little Macau.”It reveals and reflects the changes of the living environment of my life in Macau, and the changes of my inner world as well.Through creating relief prints, I want to discuss self-reflections, cultural identities, and searching for fantastic beautiful living environment. I feel nowadays the city of Macau lacks a sense of security; some people have deviant social values, and the citizens are not able to protect or maintain our cultural core value, etc. In the process of creating artworks, I try to reflect and explore the imbalance of the living environment of Macau.In the end, I am able to form a different view toward Macau, and present a series of imagery of fantastic beautiful living environment. There are five chapters in the discourse: Chapter 1 is the “Introduction,” which covers the motivation, purpose,methodology, research structure, and the terminology. Chapter 2 is the “Theoretical Basis,” which discusses the psychological description and the aesthetic about the living environment, as well as my concern of the living environmental issues. Chapter 3 is the “Creation Practice,” which includes the overall creative concept,and discusses the contents, expression forms, printmaking techniques, and materials. Chapter 4 is the “Interpretation of Creation,” which explains the creative concept for individual artworks, and further analyzes the contents, forms, and techniques. Chapter 5 is the “Conclusion, “which reviews the creative goals and achievements,and discusses the perspectives of the future. Keywords: little Macau, living environment, relief prints, cultural identities.
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Keywords
小澳門, 生活環境, 凸版版畫, 文化認同, little Macau, living environment, relief prints, cultural identities