脆弱地包覆:自我與他人的關係—王靖淳創作論述
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2025
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人與人之間的關係多元而複雜,在相處過程中,有自在的關係、尷尬的關係、有矛盾的關係、有相互喜愛的關係……也有產生傷害的關係,而在人類相處的互動中,言語、表情、手勢是溝通很重要的部分,筆者以人物與金魚的互動、氣泡等物件的覆蓋來闡述對話互動中的脆弱關係與自我保護,本文藉自身經驗與觀察,透過繪畫創作呈現筆者對於人與人相處間的困擾、應對與想法。內文第一章,筆者先以創作動機闡述人際關係對於個人的影響,因而產生了一系列關於「對話」的創作,再說明本文的研究方法、界定研究範圍與限制,最後對特殊名詞進行釋義;第二章則是藉由社會心理學、尼采哲學等思想的角度切入,試著梳理人與人之間的互動關係,並就中國古代與現代對孩童形象的觀點與描寫,來對應筆者以小孩形象表現人際關係此一議題,提出多視角的觀點;第三章回到筆者自身創作,先分析創作中所研究的相關藝術家,再說明創作手法與闡釋作品中物件的象徵意義,指出畫中人物、金魚等物件的關係與意涵,然後再下個小節是創作規劃與過程;第四章則分別講述各個作品的創作理念,以及其中的小故事;最後是結論的部分,可以說是筆者對於本次的創作進行反思,以此作為未來創作的奠基。
The relationships between individuals are diverse and complex. In the process of interaction, there are comfortable, awkward, and conflicting relationships, mutually affectionate ones, and even relationships that cause harm. In human interaction, language, facial expressions, and gestures are essential means of communication. The author uses interactions between figures and goldfish, along with the coverage of bubbles and other objects, to express the fragility and self-protection within dialogue interactions. Based on personal experiences and observations, the author conveys struggles, coping strategies, and thoughts on interpersonal relationships through painting.Chapter 1 explains the author’s creative motivation, elaborating on the impact of interpersonal relationships on individuals and leading to a series of works centered around"dialogue." It also defines the research method, scope, limitations, and special terms. Chapter 2 applies perspectives from social psychology and Nietzsche’s philosophy to sort out human interactions, and discusses ancient and modern Chinese views and portrayals of children's imagery to present multiple perspectives on using children's figures to explore interpersonal issues. Chapter 3 returns to the author’s creative process, analyzing related artists, explaining creative techniques, and interpreting the symbolic meanings of objects like figures and goldfish, followed by the planning and development process. Chapter 4 explains each artwork's concept and the small stories behind them. The conclusion reflects on the creative journey, laying the foundation for future works.
The relationships between individuals are diverse and complex. In the process of interaction, there are comfortable, awkward, and conflicting relationships, mutually affectionate ones, and even relationships that cause harm. In human interaction, language, facial expressions, and gestures are essential means of communication. The author uses interactions between figures and goldfish, along with the coverage of bubbles and other objects, to express the fragility and self-protection within dialogue interactions. Based on personal experiences and observations, the author conveys struggles, coping strategies, and thoughts on interpersonal relationships through painting.Chapter 1 explains the author’s creative motivation, elaborating on the impact of interpersonal relationships on individuals and leading to a series of works centered around"dialogue." It also defines the research method, scope, limitations, and special terms. Chapter 2 applies perspectives from social psychology and Nietzsche’s philosophy to sort out human interactions, and discusses ancient and modern Chinese views and portrayals of children's imagery to present multiple perspectives on using children's figures to explore interpersonal issues. Chapter 3 returns to the author’s creative process, analyzing related artists, explaining creative techniques, and interpreting the symbolic meanings of objects like figures and goldfish, followed by the planning and development process. Chapter 4 explains each artwork's concept and the small stories behind them. The conclusion reflects on the creative journey, laying the foundation for future works.
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膠彩創作, 人物畫, 金魚, 人際關係, 社交, eastern gouache, figure painting, goldfish, interpersonal relationships, social interaction