真世界 - 記憶回流抽象繪畫

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2014

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「藝術之創作,是人類思想與心靈活動美妙的結合。」 本次的研究論述筆者以2010~2014年所創作的作品「記憶回流」抽象繪畫為主要探討對象,藉由自身的生命體驗及遊歷經驗用於此次撰寫與藝術創作中,文字抒寫過程中更加感觸良多,在藝術的學習歷程中,初期接觸到印象派的啟蒙,爾後受到現代建築主義及工業設計的影響,從跨領域的藝術滋養到探索自我存在的剖析,筆者將沉積多年的思緒重新整理與釐清,並且從追溯過往記憶中的影像,然後釋放真實的內在情感,以抒情抽象繪畫的創作形式來表現。 本論文主要說明筆者美學之歷程背景與研究的動機,早年接受繪畫藝術的洗禮而後中斷,而後再次有幸能創作藝術繪畫,並開始重新思索存在的有限性,再來引用藝術心理學上的研究論述,以及中西思想多元化的抽象表現形式,來說明筆者如何追朔堆疊的記憶影像及情感釋放;筆者所闡述的創作理念,藉由"我"的探索與追尋,引發內在深層靈性,反觀生命價值與回歸自然。潛藏於筆者內在的多元藝術融合形式涵養與人格精神特質作為創作的表現研究;最後以作品的創作實踐,將創作作品分為三個系列「舞動生命 - 脈動系列」、「藏滋味- 湧現系列」、「燃燒的記憶 - 殘影系列」,詮釋自己的創作意念,來闡述自己對生命的觀點,並藉由理論來引導反證,最後實踐自我的理念。
"Creativen art is a wonderful combination of human thought and spiritual activities." In this research, creative artwork is discussed from 2010 to 2014 by recalling from memory, focusing on abstract paintings, according to life and travel experiences. In the process, special feelings in the arena of learning creative artwork from the initial contact with the impressionism style, are discussed. Later on modern architecture and industrial design influenced the creative art style. From the different interdisciplinary arts, self-existence analysis is explored. Over the years, the author’s thoughts were re-positioned to be more organized and clarified, from the past memories perspective, in order to release true nner feelings, to a lyrical abstract painting of creative form expression. In this thesis, the author explains aesthetics ackground and research motivation, in the early acceptance of artistic painting. After a period of time, the opportunity for creative art developed. The author began to rethink the limits of nature and human existence, applied in an artistic psychological form, including western and eastern multiculturalism of ideas in abstract forms. The author’s explanation traces many memories, images and an emotional release from which creative ideas were brought forth. This exploration and pursuit caused a deep inner spirituality, a value of life, and a return to nature. Potential was nherent in the author's diverse artistic form and personally Conservative ethos as creation performance research. Creative practice works can be divided into a three-part series, "Dancing Life", "Concealing Emerged Meaning", and "Burning Memories-blur," to form an interpretation of creative ideas to explain the value of life, using a theory of disproving, to guide the final conclusion of self-concept.

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影像, 抒情, 靈性, 抽象, image, lyrical, spiritual, abstraction

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