羅伯特・舒曼《蝴蝶》作品二與《維也納狂歡節》作品二十六之音樂分析與詮釋

Abstract

羅伯特・舒曼（Robert Schumann, 1810-56）為德國十九世紀初浪漫主義音樂的代表性作曲家之一。舒曼富有深厚的文學涵養與獨特的音樂天賦，舒曼在音樂中展現個人獨特的風格和詩人般的情感，創作手法如，特性作品 (character piece) 、「引用」音樂 (Musical Quotation) 、音樂與文字密碼、「佛羅倫斯坦」與「優賽比斯」之對比性格等，皆為原創之音樂風格。本書面報告將探討舒曼《蝴蝶，作品二》(Papillons, Op.2) 和《維也納狂歡節，作品二十六》(Faschingsschwank aus Wien, Op.26)，此兩首特性作品為研究之主題。《蝴蝶》由序曲與十二首小曲組成之套曲，需完整演奏全曲；《維也納狂歡節》為五首具有標題性的組曲作品，可以單獨演奏其中樂曲，也可以整組演奏。本報告共分為五章：第一章為緒論，包含研究動機與目的及研究方法與範圍；第二章為舒曼創作風格概述，包含舒曼的生平簡介及音樂特色；第三章與第四章則分別探討《蝴蝶》與《維也納狂歡節》作品的創作背景、音樂分析和詮釋探討；第五章為結語，統整書面報告之內容與筆者個人之觀點，期盼給予演奏者與相關研究者參考之資料。

Robert Schumann (1810-1856) was a prominent composer of the 19th-century Germany Romantic music in. He had a strong literary background and unique musical talent, Schumann's creative techniques, which encompass characteristic pieces, musical quotations, the fusion of music and textual codes, and the contrasting personalities of "Florestan" and "Eusebius," showcase his individualistic style and poet-like emotions in music. These elements collectively contribute to his unique original musical style. This written report will delve into Schumann's Papillons, Op.2 and Faschingsschwank aus Wien, Op.26, two characteristic pieces that serve as the subjects of study. Papillons consists of an overture and twelve short pieces, forming a suite that requires a complete performance of all movements. Faschingsschwank aus Wien is a suite of five titled pieces, allowing for individual performance of specific pieces or a complete performance of the entire suite.This report consists of five chapters. The first chapter is the preface, including the research motivation, objectives, research methods and scope. The second chapter is the overview of Schumann's compositional style, including a brief biography of Schumann and an exploration of his musical characteristics. The third and fourth chapters separate investigations of the creative background, analysis and interpretive discussions of the two pieces, Papillons and Faschingsschwank aus Wien. The fifth chapter is a brief conclusion of this entire written report and includes the author's personal views, and hopes to provide the reference materials for performers and related researchers.